AIN’T NO GRAVE (Can Hold My Body Down)
June 10, 2011 Leave a comment
Soon & Very Soon
March 16, 2011 Leave a comment
Every now and then I channel surf the TV for something viewable. I am looking for something to watch that doesn’t contain guns, good/bad guys, crime scenes, sitcom-‘ick’ silliness, ER rooms, people walking and talking through scenes from one room to the next speaking to each other with ‘edgy’ dialog or Real Housewives from any geographic area in and around New Jersey, Atlanta, and LA. Sometimes, out of the surf, comes the Bill Gaither Homecoming Friends musical program.
I love this program. It is a gathering of the best gospel singers imaginable. I enjoy the close harmonies and the spirit with which they sing. The music, besides giving glory to God, takes the viewer back to those days of first love in Christ. There is a lot of toe-tapping music (“Turn Your Radio On”) and slow lush ballads (”Jesus There’s Something About That Name”). The music reminds me of a special time in my life.
Many years ago I was an education/music student at Moody Bible Institute. I played the trumpet in the early days of Moody’s newly formed concert band under the musical director Gerry Edmonds. Often during those busy school days the music director would get an ‘outside’ request for musicians. As a trumpet player I would be asked to play for weddings, church gatherings and concerts. Sometimes we were asked to play for popular musicians. On one occasion two of us lead trumpets were asked to supply some brass at a couple of local concerts. We accepted the offer to play with Bill & Gloria (& Danny) Gaither.
The first Gaither concert was held in a Merrillville, Indiana auditorium and the other, in a local Chicago area auditorium.
On stage before the concert we met with Bill, Gloria and Danny Gaither. (Danny was singing with the group in those days.) Before we prayed together, we talked about the line-up of songs. Bill wanted our horns to let loose during the playing of “The King Is Coming” and “Because he Lives.” Our clarion horns were definitely heard by all.
I was thrilled to be a part of these concerts. The finale, “The King Is Coming”, lifted the roof off of the house, as they say.
I thought I saw a white horse and a Rider descend at the sound of the trumpets.
Mirror-nomics; Magnificat
March 5, 2011 Leave a comment
Valentines Day W/Marcus Miller, Chaka Khan
February 13, 2011 Leave a comment
Ma L’amore No – But not love
January 21, 2011 Leave a comment
Keeping Time
January 16, 2011 Leave a comment
Flipping through TV channels last night, I searched for a show that didn’t have a gun waving in it (If Jared Loughner had wanted a reference guide for his mayhem he had only to look at nightly TV programming given to us by Hollywood Left.). After a few minutes of (+) and (-) channeling, to my delight, I found a program about the Chicago Sinfonietta and its maestro Paul Freeman. I instantly perked up. The show set my metronome wagging. I love music, all kinds of music.
In short, the program related some of the history of the Sinfonietta and talked about the leaving of its founder Paul Freeman. Freeman, who founded the group in 1987, was someone who had met and spoke with Martin Luther King. This weekend the Chicago Sinfonietta is paying tribute to Martin Luther King, honoring King’s Dream: “I have a dream that one day this nation will rise up and live out the true meaning of its creed: ‘We hold these truths to be self-evident, that all men are created equal.” Since its inception, Freeman’s musical program plays out the words of King’s dream with a diverse group of musicians using an equally diverse musical library.
Freeman is retiring at the end of the 2011 season. He will be handing the baton to Mei-Ann Chen. She will be named the new Music Director. Mei-Ann Chen is someone Freeman has worked with. He deeply respects her talents and her desire to help others, especially through education.
The Chicago Sinfonietta as described by its blog home page: “the nation’s most diverse symphony orchestra, presents an exciting blend of musical and artistic genres. Mixing the Classical and Romantic repertoire with bold contemporary works, the Sinfonietta shatters traditional boundaries through its collaborations, creating synergies between classical, dance, theater and other musical styles including jazz, rock, and World music.
I was impressed by the diverse group of musicians, the expansive repertoire and their unbridled desire to teach music to young people. While watching the program, I could see myself, cycled back in time, being involved with the Chicago Sinfonietta. I saw myself playing in this orchestra. I have played trumpet since fourth grade.
Seeing the maestro Paul Freeman conducting the group also elicited memories of times when I would stand in front of my family’s stereo and conduct an invisible orchestra. I wanted more than anything else as a child to conduct music. I saw myself as a conduit through which music became alive to others as it had become alive to me
The first LP I ever purchased (and conducted) was Antonin Dvořák’s Symphony No. 9 in E Minor “From the New World“. I was twelve years old at the time. The purchase used all of my saved allowances. The title of the LP immediately caught my attention and I decided rather quickly that I need this album. I would later read that Dvořák, interested in the Native American music and African-American spirituals of America stated:
“I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition, to be developed in the United States. These beautiful and varied themes are the product of the soil. They are the folk songs of America and your composers must turn to them.”
And so, music continues to bring together diverse people, each with their own lyrics, melodies, harmonies and rhythms. And, while discordant laws seek to enforce diversity music, simply and beautifully, endorses and cherishes diversity sotto voce or forté.
THE ‘FIFTH’ GOSPEL?
December 17, 2010 Leave a comment
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Japan, Bach and Jesus:
Why Don’t You Live So God Can Use You
August 29, 2010 Leave a comment
Why Don’t You Live So God Can Use You
“ Why Don’t You Live So God Can Use You”
Why don’t you live so, God can use you, anywhere Lord, anytime
Why don’t you live so, God can use you, anywhere, Lord, anytime
Why don’t you think so, God can use you, anywhere, any time
Why don’t you think so, God can use you, anywhere, Lord, any time
Why don’t you walk so, God can use you, anywhere, Lord, any time
Why don’t you walk so, God can use you, anywhere, Lord, any time
Why don’t you moan so, God can use you, anywhere, Lord, any time
Why don’t you moan so, God can use you, anywhere Lord, any time
Why don’t you sing so, God can use you, anywhere Lord, any time
Why don’t you sing so, God can use you, anywhere Lord
Music and Lyrics by Muddy Waters, performed by Tom Feldman
Cindy Wity 