It Doesn’t Take Much

It was going to be another one of those Center City weekends. That’s what my gut told me when I rolled out of bed. That and fifteen years on the force.

Friday began with me sitting before a grand jury providing testimony and evidence about an abduction turned homicide. I was subpoenaed to present facts and findings so the jury could determine if there is probable cause to indict the suspect. When I return to the police station there is someone waiting to give me their testimony about what she thinks might be going on at her neighbor’s house.

Pearl Dowdy, an elderly woman with short grey hair, olive green eyes, and large dark-rimmed glasses that make her large hawk nose look fake, is very concerned.

“Detective, I watch that house every day. Every night. Lights are flashing. Things are being carried out in tarps late at night. Noise. Oh, my Lord, the noise.”

“Ma’am, I’m a homicide detective. if you haven’t witnessed any crime I can’t get involved.”

“There’s something bad going on over there. I just know it and so does Winston.”

“Who’s Winston?”

“My dog. He knows when something is up.”

“Ma’am, I’ll send a patrol around to check on the noise.”

“You had better, Detective Winder. I think the husband is up to something.”

The whole time we’re talking, she is moving things on the front of my desk. When I put them back in place, Miss Dowdy gets up, yanks her sweater tight around her, and walks out.

Patrolwoman Majorie Lachance had been listening to the conversation.

“How did it go with Miss Marples?”

“That woman would indict a ham sandwich. You know, Lachance, if I had a licorice snap every time I interviewed someone convinced that they know something about a crime based on a theory of appearances and not facts, I’d have an empty bag of licorice snaps on my desk. Oh look. It’s empty. But hey, I just so happen to have backup.”

I pull another bag of snaps out of a box in the file cabinet. I offer the opened bag to Marjorie.

“I got a feeling that you’ll need all of them, Roy.”

~~~

3 AM the next morning Sarge is on the phone.

“But the wicked are like the tossing sea that cannot keep still; its waters toss up mire and mud. Roy, there’s a body in the Carnival of Souls haunted house.”

“A body not a prop?”

“A body. A female student. A freshman at CCC. “

~~~

Sarge tells me that there’s no rest for the wicked as they are forever tormented. But whatever is buried in the catacombs of Center City rises in October. Our metropolis becomes hell turned inside out when Halloween comes around. Tormented souls come out to play in the crisp autumn air.

I drive over to Carnival of Souls staged on an abandoned lot used by carnivals in the summer. The area is a forsaken corner of our grimy metropolis. It’s a virtual ghost town with boarded-up businesses, warehouses, and homes.

Outside the haunted house, students are laying flowers next to a picture of the deceased. The entrance has several signs: “YOUR HOME FOR HORROR” “BEWARE!” “YOU WANT TO BELIEVE.” I see no CCTV camera.

I cross under the police tape and into the barely lit cavern. I pass Dracula’s Portal, the Crypt, the Mummy’s Tomb, Frankenstein’s Lab, The Morgue, the Chamber of Torture, Wolf Man’s Forest, a graveyard with tombstones, a sordid mix of atrocities and figures of notorious criminals, and lots of fake blood and spider webs. The smell of smoke liquid from pyrotechnics is heavy in the air.

I come to the Execution Chamber staged with gallows, chopping block, a guillotine, and the body of a young woman.

CSI Mike shows me her driver’s license and student ID. The nineteen-year-old woman on the floor is Cheri Long.

“Cause of death?”

“By the horizontal and circumferential ligature marks on her neck, I’d say she was strangled. Her attacker came from behind based on the trauma to the back of the neck. This was personal.”

“Time of death?”

 “I’d say about the time this house of horrors was shutting down for the night. Around 2 AM.”

“Any sexual assault?”

“Not that I can see. The autopsy might reveal something.”

“I saw the same orange shirts on the women outside.”

“The Sparks? That’s the woman’s volleyball team at CC College. This was used to strangle her.”

Mike shows me the hemp rope taken down from the gallows in the Execution Chamber.

“Defensive wounds?”

“She has bruising and scratches on her arms. She likely struggled with her attacker. Some of her fingernails are broken. I took a sample of what was under her nails and grabbed the broken nail tips for testing. I’ll be testing the rope, too.”

“Any money or jewelry taken?”

“It doesn’t look like it. Her necklace, pocket book and phone are still here.”

I went outside to talk to the women behind the police tape.

“Does anyone here know what happened here tonight?”

A gaggle of women in red and gold teams shirts started talking all at once.

“Hold on ladies. One at a time.”

Patrolwoman Lachance pulled from the group a tall young woman with brown hair and red eyes.

“This is Senta. Cheri’s roommate.”

I brought Senta to my car to hear what she had to say.

“Cheri said a friend called her and asked her to go to the Carnival of Souls haunted house last night. Cheri said she didn’t like that sort of thing, but her friend kept asking her to go.”

“Did you meet her friend?”

“She came to our dorm room last night. Cheri introduced me to Jill.”

“Describer her.”

“She’s Asian. Maybe Japanese. She seemed to know Cheri. They left right after she arrived.”

“Do you know what time that was?”

“After midnight. I was up cramming for a pre-med test.”

“What was Cheri studying?”

“Drama. She auditioned and got the lead role for a play in December.”

“She’s wearing the same team shirt you are wearing. Was she on the volleyball team?”

“Oh, yeah. She’s the libero. She’s really good in that position. Our team is in the playoffs for the Women’s Volleyball Championship. The whole team is out here.”

I told Senta that I would get a warrant to search her dorm room. I asked her not to touch anything of Cheri’s. She understood and returned to the group.

I walked over to Patrolwoman Lachance.

“Who’s the butch doing the Italian Up Yours to us?

“That’s an angry queer feminist who doesn’t like the police and apparently herself.”

“What tipped you off ‘detective’ Lachance?”

“Her “Defund the Police” sign, her shaved chartreuse head atop her Sumo body, and her blast furnace mouth. I see what I see and report it. And over there, waiting for you to talk to them Roy, are the six characters who were working in the horror house tonight.”

She pointed to the Frankenstein monster, Dracula, the Mummy, the Wolf Man, the Slasher, and the Executioner.

“Hell is empty and all the devils are here, I see.”

“Speaking of devils, Roy, here comes the owner of this horror house.” He wants to know when he can reopen his Carnival of Souls.”

“Tell Dr. Frankenstein that his C-movie horror fantasies have gotten out of hand and we need to put some daylight on his Carnival. Tell him it will be down however long it takes. Tell him to bug off. Tell him whatever you want. I’m going to talk to the six jokers in costume.”

I put the six in a police lineup, in the order they appeared as one would see them as they went through Carnival of Souls. I questioned each one separately and took down the names of each.

Four of them said they saw two girls – a blond and an Asian girl – pass through. The Wolf Man said he scared the bejesus out of the two girls and they ran out to the next chamber. The Executioner, without his hood, is a severe looking man. He was made for the part. His sharp features matched his curt replies.

“You work in the execution chamber?”

“Yes.”

“Did you see what happened to the woman lying on the floor?

“No.”

“No?”

“No.”

“Patrolwoman Lachance will stake you to the station for a statement.”

I decided not to play hangman with gallows man.

~~~

I drive over to Howden Hall, the women’s dorm on the campus of Center City College. An RA is called down to escort me. When the elevator doors open on the fourth floor, the RA shouts “A man is on the floor!”

Women in towels scurry about. Doors close. Some women line the hallway, their lower lip pushed up and lip corners turned down, their eyelids drooping. They were mourning the death of one of their own.

The RA leads me to Cheri’s room. Senta is sitting on her bed reading what looks to be an anatomy book. I show her the search warrant.

“Hello detective. I left everything alone.”

“Thank you.”

“Cheri’s things are over there.”

On the wall above Cheri’s desk are photos of her family, her dog Rags, a group photo of the Sparks volleyball team, and a photo of Cheri and Jill. A class schedule and a drama rehearsal schedule are pinned to a bulletin board.

On her desk is a script for Ibsen’s Hedda Gabler. Cheri’s role as Hedda is highlighted in yellow.

Senta shows me the phone number of Cheri’s parents. They’ve been calling her because Cheri hadn’t responded to their calls. Senta told them about Cheri.

I tell Senta that I’ll go see them and assure them that we’re looking into their daughter’s murder.

~~~

Back at the station, Lachance tells me “Hoodless horse face” is in Interview room 1.

I sit down across from the long straight nose, the prominent jawline, and the large teeth of the medieval-looking executioner still in tunic, belt, gloves, and boot covers. He is smoothing his mouse-blond hair. The fact that he is grooming and moving around and racking in the swivel chair tells me he is anxious about being interviewed.

“Let’s see.” I thumb through my notes. “Mr. Orme is it?”

“I see that you can read.”

“I can even go to the bathroom by myself. Is the Executioner bit your full-time employment or do you just like to hang around death?”

“I am a theater professional. I’m Theater Director at CC.”

“Oh. I see. So, being executioner at Carnival of Souls is just a side show?”

“I bet you’ve never even seen a play have you dick?”

“My wife and I have season tickets at Doublehouse. Just saw the production of King Lear. And I have season tickets to executions, too.”

Orme’s tense face softened for a second and then regrouped into a tight formation.

“Mr. Orme, the lead for December’s play had been murdered and murdered in your chamber.”

“You’re not going to pin that on me, dick. Lots of people were coming through that place. Lots of drunk high people. Lots of goofed-up people under the influence were coming in and out last night.”

“This cold night will turn us all to fools and madmen.”

“Quote Lear all you want, you can’t pin this on me, dick.”

“You were at the scene of the crime. You didn’t see Cheri laying on the floor in your chamber?”

He swallowed hard. “At 2 AM the place was closing. I went out back for a smoke.”

“An “under the influence” smoke? You smell of weed.”

“No. A cigarette. It must have happened when I was outside.”

“And when you came in from your smoke, you must have seen the body of a young woman on the floor.”

“I saw a body on the floor face down with a noose around its neck. I thought it was put there for effect. I don’t produce this horror house.”

“You say you are a “theater professional.” Yet, you are working Carnival of Souls. Why is that?”

“This,” he addressed his costume with his hands,” is just, what did you call it? Oh yes, a side show. A macabre side show. I like the stage. I like to perform. I’m well respected in the arts as actor and director.”

“Could it be that ‘The prince of darkness is a gentleman!’?”

“C’mon detective. Cut out the Lear.”

“One can learn a lot about human nature from Shakespeare. More so than from any text book.”

The door opened. Lachance wanted a word with me.

“Hang tight, Mr. Orme.” I left the room. Lachance was waiting for me in the hallway.

“Roy, Jill is here for questioning. Room 2.”

~~~

Jill reminded me of a young Setsuko Hara, a Japanese actress called the Greta Garbo of Japan. I know this because long before I became a street cop and then a detective, I was a film student living with a Japanese roommate who liked Ozu’s Late Spring. 

“Jill, you asked Cheri to go with you to the Carnival of Souls. Is that correct?”

“Yes.”

“You and Cheri friends?

“In high school very close friends. Then she go to college.”

“You and Cheri walked through Carnival of Souls together?

“Yes.

“Did you see what happened to Cheri?”

“No. We go in together and we come out together. Someone outside say that the theater director was executioner. She go back in to talk to him.”

“Why did she want to talk to him?”

“She say she tell him no about them.”

“Did she go alone?”

“Yes. She not scare like me.”

Sitting across from Jill and the deep dark gaze of her almond-shaped eyes in a setting of a heart-shaped face, porcelain-like skin, straight black hair, and petite build – a combination of pure sweet girl and modern young woman in slim-fit jeans and oversized sweater – I wanted to believe that she couldn’t be guilty of anything. But having spent time in the make-believe world of film, I knew things are not what they appear to be.

I leave the room and find Lachance.

“Lachance, I’m pretty sure this guy Orme is under the influence of THC. He smells of weed and he’s looney tunes. Get him swabbed. Depending on the test results, his non answers, and the ME report, we may have probable cause to get a warrant for a blood test.

“Roy, what’s strange about Orme and Jill is that they don’t seem all that sad about what happened to Cheri. They seem more anxious than sad.”

“That’s what I see, ‘detective’ Lachance. Keep them here for now. Let them stew. Maybe they’re both in on it. We’ll see who breaks down first. I’m going over to Cheri’s parents to find out about Cheri and jill. I’ll be back in an hour.”

~~~

Mr. and Mrs. Harrison greet me at the door. They both look tired and lifeless.

“I very sorry for your loss.”

I ask about Cheri’s relationships – if anyone had a grudge against her. They said no. She was loved by everyone, they said.

“Tell me about Jill.”

Mr. Harrison showed me a photo of Cheri and Jill. He said that Jill was a foreign exchange student from Japan. “She’s been living with us for her high school education.”

Mrs. Harrison said that the two girls became very close during high school. She learned from Jill’s parents that extremely intimate relationships between school girls, “esu” relationships, was typical in Japan. That’s where Jill was coming from, she said, but not Cheri. Cheri’s world included others.

Mrs. Harrison began sobbing.

“Mr. Harrison, tell me about Jill?”

“Jill had become obsessive about Cheri. She monitored her every move. She tried to cut Cheri off from other people and even us. Her angry outbursts we wearing us thin. We encouraged her to get out and find new friends. She became depressed when Cheri went off to college. Jill has applied at several schools and hasn’t heard anything back.”

“Did you know that Jill asked Cheri to go with her to the Carnival of Souls.”

“I had no idea.”

I told the Harrisons that suspects were being interviewed. I would find out what happened to their daughter.

“Again, I’m sorry for your loss.”

~~~

When I return to the station, CSI Mike hands me the ME’s report on Cheri.

“Roy, the Medical Examiner’s report concluded that death was caused by ligature strangulation using the rope found at the scene. There was no sexual assault. Bruises and scratches on Cheri’s arms suggest that she struggled to get free from her attackers.

“Someone had to be tall enough to remove the rope from the gallows. And someone had to be strong enough to tackle Cheri, hold her down, and strangle her. The only one’s around were the characters of the horror house and the owner.”

“Right now, Mike, I have a dopey Executioner whose lead for the play he’s directing is dead and a stalker friend who was with Cheri last night but saw nothing.”

“And, you have this.”

 Mike handed me another page of the ME report. It explained what was found under Cheri’s fingernails: brown hair-like polyester strands, the kind used for costumes. The same strands were found on the hemp rope and the smell of weed.

I return to question Mr. Orme.

~~~

Mr. Orme, the THC swab detected the presence of THC in your system.”

“OK. OK. When I was done with my “side show” I went out for a smoke. Wolf Man was outside.”

“And?”

“Wolf Man was smoking some really potent weed. I took a couple of hits but it was too much. That stuff was making Wolf Man howling crazy. He kept bitching about some chick protesting against trans athletes playing in women’s sports. Wolf Man took a long hit, handed the blunt to me, and went back inside. I threw the blunt away. My head was spinning. I stayed outside for a cigarette.”

I look through the notes I made at the scene. I find the name of the Wolf Man – Frank Kaleb.

“Hang tight, Hang Em High. I’ll be back.”

I leave the interview room and tell Lachance to bring in Wolf Man Frank Kaleb.

“A probable cause warrant will be issued to search the house for everything to do with the Wolf Man costume and weed and anything else suspicious. And send CSI to Carnival of Souls to look for a blunt on the ground behind the building.”

I return to question Jill.

~~~

“Jill, when you found out about Cheri’s roommate Senta and about the theater group and the volleyball team how did that make you feel?

I waited. Jill said nothing for a minute and then, “What is it . . . when . . . you know you are not needed and not missed anymore?”

“A motive? Jill, did you become angry because Cheri was no longer close with you?”

“I felt angry and sad when Cheri told me about her roommate and about theater guy who wanted to date her.”

“You told me she went back in to Carnival of Souls to tell him she wasn’t going to date him. Did you let her go in by herself because you knew what would happen? Were you that angry?”

Jill looked down and said nothing.

~~~

While I waited for Wolf Woman to arrive, I asked the medical examiner for what he could tell me about the effects of potent cannabis.

“Roy, Cannabis-induced psychosis can produce instant psychopathy. It can trigger sudden paranoia, suspiciousness, and a sense of grandiosity. It can trigger a break from reality, hallucinations, a feeling of unreality, disorganized thoughts, inappropriate emotional responses, and unusual changes in behavior.

“Regular use increases the chances of experiencing psychosis. Individuals with pre-existing mental health issues are more susceptible. Cannabis-induced psychosis is usually acute and temporary.

“There was a case in 2018 of a young woman who smoked her boyfriend’s blunt containing a high dose of cannabis. She wasn’t accustomed to smoking pot. After taking a couple of hits, she went into his kitchen and brought out a handful of knives. She began stabbing her boyfriend over 100 times. He died from his wounds.

“Then, she began stabbing her service dog, who also died. Then she started to stab herself with a long-serrated knife. Cannabis takes more than it gives.”

Sarge came over. “Roy, Lachance is on the phone.”

“Roy, we picked up Frank Kaleb, aka Fran Kaleb, aka the Wolf Man.”

“What? Wolf Man is Wolf Woman?”

“Yeah. There’s more than meets the eye here. Too much more. I have the costume and we found a stash of cannabis. Her partner is going ballistic about everything.”

“Bring Wolf Woman in before there’s another full moon.”

~~~

I walk into Interview room #3.

“Hello Frank – Fran – Wolf Woman. Anyone or anything else I should know?

“Yeah, copper. Don’t misgender me or I’ll have your badge.”

“You misgendered yourself, Fran. And you classified yourself as a furry. I’ll take your badge.”

“Ha. Ha.”

“Last night. You were working as the Wolf Man. Correct?”

“Yeah.”

“You’re about six feet tall, correct?”

“Yeah.”

“Been working out?”

“Yeah. I can deadlift my weight.”

“Your weight?”

“170. Where is this going?”

“Go out for a smoke at closing time?

“What?”

“I have a witness who says you were outside smoking a really strong blunt. Then you passed it to him and went back inside.”

“Yeah, so what?”

“A dead woman, that’s what.”

“You people like to discriminate against people like me.”

“We like to sort out people who single out others for murder.”

“C’mon detective. I smoke weed for my back pain.”

“My witness says that you were bitching about a woman voicing her concerns about men playing in women’s sports.”

“Yeah, well, sure. Discrimination. It’s us against them!”

“Frank-Fran, you will be swabbed for THC. And, a warrant will used to draw your blood to check levels of THC.

“Strangling someone, cutting off their air supply, is rarely about wanting to kill. It’s about asserting total control. You wanted to control Cheri, the one speaking out about men in women’s sports. Strangling Cheri was your way of saying “shut up bitch.”

“I was just trying to scare her.”

“You scared the life right out of her. Right now, Fran, based on the autopsy report, the CSI report, the toxicology report, and the medical examiner’s report based on the costume fibers found on the victim and on the rope used to strangle Cheri, and a tossed blunt behind Carnival of Souls, and a motive to silence Cheri, I will be turning everything over to the DA.

“You will likely face charges of felony strangulation which may escalate to attempted murder charges. You will be spending your time in a different house of horrors and for many moons.”

~~~

Back at my desk after a long day of chasing down facts and findings, I sit down for some licorice snaps.

On my desk someone had placed a printed news page with the title New Mexico man accused of fatally shooting cousin after argument over enchiladas.

A New Mexico man had been accused of fatally shooting his cousin after an evening of drinking which escalated from an argument into a fistfight over enchiladas.

According to the affidavit, a cousin of both men and a witness to the shooting told authorities that the three men bought groceries, returned to the apartment and cooked green enchiladas while drinking alcohol.

Tension began when Gutierrez repeatedly claimed the chili on his enchiladas was hotter than the chili on Cavazos’ plate and challenged him to eat some. Cavazos responded that they had all eaten the same enchiladas, so the chili should be equally hot. The men continued arguing after the witness suggested they take the dog for a walk.

Eventually, the two fought, according to the witness’ account. Cavazos struck Gutierrez enough to leave him bleeding before the fight ended and Cavazos walked away.

The witness told investigators that Gutierrez then allegedly pulled out a handgun and confronted Cavazos, saying, “We’re family! We’re family! How could you do this to me?”

The witness said Cavazos was about 10 feet away and was not holding a weapon when Gutierrez fired three or four times, striking him in the back. Gutierrez then fled.

Lachance walked up biting her lips trying not to smile. “Quite a story, eh?

“It doesn’t take much to set people off, does it? A little jealousy, a little pride, a little matter of taste, a little “I want control of the whole enchilada” mixed with alcohol, pot, drugs, and a tormented soul torments someone else just to square things up. Maybe that’s it.”

“What?”

“Why Orme and Jill could handle Cheri’s death like it was nothing to them. In their own way they said “We’re family! We’re family! How could you do this to me?” The theater director was rejected by the female lead and the high school friend felt rejected when Cheri went off to college, joined the drama club, and volleyball. Maybe Cheri’s death vicariously squared things up for them. Her death ended the rejection. But there is always more than meets the eye. I’ll look into them tomorrow.”

“Laci!”

“Hi Marjorie.”

“Laci, Roy just closed a case. He’s talking about Mexican food.”

“Yeah. I want to know who’s chilis are hotter. Mine or yours.”

“C’mon Roy. You’ve been at this since three this morning. Put down the snaps. We’re going out to eat. You don’t want me to become jealous of your job, do you?

I follow my best girl out the door.

~~

©J.A. Johnson, Kingdom Venturers, 2026, All Rights Reserved

The Tomorrow No One Thought Of

“Roy, some ivory tower guy will say that the gun violence problem of big cities like Central City is due to the inequality between the rich and poor and to housing and education and guns and blah blah blah. But the Good Book says that evil intentions come from inside and those include stupidity. Any copper worth his salt will tell you that big city gun violence is due to someone without a lifeline playing fast and loose with forever by doing unbelievably stupid and vile things within seconds.”

After another day working the mean streets of Central City and a half hour of listening to Desk Sargent Grasso Il filosofo di strada, I was on my way to have a dinner of pork chops with my best girl. But then Sarge stops me in the parking lot. He wants me to check on a domestic disturbance in my neighborhood. Neighbors are calling the station.

I get to the Lopez place, walk up the steps, and find the door open. I poke my head inside. That was a mistake.

I come around half-conscious and curled up on the floor. Something like a sledge hammer wacked the back of my head. I look up and see a woman holding a cast iron frying pan

“Sorry, señor . . . Winder. I thought you are my soon-to-be ex.”

She had taken the ID out of my coat pocket. Does she have my service weapon? I check. It’s in the holster. I check the back of my head. There is a lump the size of an Easter egg. But no blood.

“I feel soon-to-be ex.”

Someone walks in the door and steps over me.

“Who’s this?”

“It’s policía.”

“You hit policía?”

“I thought Manny come back.”

The man helps me to my feet. I bring the swirling room up with me. He tells the woman to get some ice.

“Sorry, señor, it was mistake. No feelings hurt, OK?”

“You’ll get a raincheck on that, pal.” My knees crumble.

The guy walks me to the sofa and I lay down. He places a bag of ice behind my head.

“Why are you here, señor? The man asks this with ‘r’s rolling.

“The neighbors. The neighbors called saying there was a disturbance going on here.”

“I see. Manny was here. Matty and Manny they don’t get along.”

“Who are you?” I ask trying to remain conscious.

“Eduardo. Matty call me and say Manny outside. She throw him out last night. She no want him here.”

“I wish he’d been here a half hour ago.”

Eduardo laughed. “Yeah, me too señor.”

I open my eyes and see the frying pan woman standing at the foot of the sofa. She is holding a pocket mirror up to her face and putting on red lipstick. She looked like one of those femme fatales in the el cine negro movies my father-in-law likes to watch when he visits – a dangerous combination of beauty and vice. Her large dark eyes would bring men to their knees. Those two wrecking balls would make sure of it.

She turns away from the mirror. “Are . . . you . . . OK . . . señor . . . Winder?” Her deep voice purred out each word.

“I need to call my wife. She must be worried.”

She gives me a once over and says, “Lucky girl.”

I didn’t ask what she meant. Eduardo didn’t like what she meant. He narrowed his eyes and stared back at her.

Not with me I tell her.

A small boy peeks out from behind her wide hips and then hides again.

“Te veo hombrecito. Hi. Holá.”

The boy peeks out again. This time with a toothless smile.

¿Cómo te llamas?

He comes out from behind the woman with a hold on her silky dress.

“Miguel.”

“Mucho gusto Miguel. ¿Cuántos años tienes?

The boy holds up four fingers.

“Ah, no tan poco.” The boy let go of the dress ready to grab it again.

Eduardo helps me to my feet. My head is throbbing like a vodka toast hangover after a Polish wedding. I ask for my ID back and tell Matty to get a protection order if she feels threatened by Manny. “You don’t want to go from the frying pan into the cooler.”

What I said doesn’t make any sense to me or to them. So I say “I don’t want to come back here unless I am forced to. ¿Entiendes? Adios Miguel.”

The boy bites his lower lip and tugs on the dress as he watches me go out the door. I step out into the oppressive August heat and feel my heartbeat in my head. I call Laci and tell her I’m on my way.

~~~

Three AM Saturday morning the phone rings. It’s Sarge.

“How did things pan out for you at the Lopez place?”

“Who told you?”

“Laci. She knew you wouldn’t say anything.”

“Yeah. She’s right. I’m not down for the count if that’s what you’re wondering. And I’m guessing this isn’t a welfare check at three in the morning.”

“I need you to go over to Baila Escena over on fifth street. There’s been a shooting. One dead. CSI are headed over there now. Get going. And watch where you stick your head, Roy. Never send to know for whom the bell tolls; it tolls for thee.”

I hung up wondering what spirit Il filosofo di strada was imbibing at 3 AM. Was it the spirit of Hemmingway or Donne or of port wine?

Before I head over to the Zona Roja part of the city, I stop at Nighthawk Diner for a black coffee to go. Max, the owner, hands me the coffee and tells me that there is a full moon tonight. Of course there is, I say.

Baila Escena is on a rundown backstreet along with a pawn shop, a loan shop, a tattoo parlor, a package liquor store, and a smoke shop – each with bars on the windows.

There are two neon signs on the front of Baila Escena. One says it’s a dance studio during the week and the other says it’s a nightclub at night.

I go inside. The place has the wet cardboard smell of stale beer. And it is dark even with the house lights on. The walls, the small tables, the chairs, the dee jay booth, and the bar – everything is black. The windows are painted black. The only relief from the colorless setting are the liqueur bottles behind the bar and a few posters.

Behind the bar there is a dia del los muertos poster. Male and female skeletons are dancing in colorful outfits. A poster by the tables has a lively couple doing what is called “rumba caliente.”

I walk up to the bar. On the floor are three yellow evidence markers next to 9mm casings. The dead guy is seated on a bar chair and slumped against the bar. He’d been shot three times in the back. On the bar in front of him is an almost empty bottle of Salvadores Anejo and a shot glass. Shots in back. Shots in front.

The CSI guy is taking photos. I ask him who the dead guy is.

“Manny Lopez. He and his wife Matilda own the joint.”

The names had an all too familiar and painful ring. I guess no man is an island.

A short mustachioed man with a Guayabera Shirt pops up from behind the bar.

“We call her Matty.”

The CSI guy points while taking pictures. “That’s the guy who called 9-1-1.”

The little man hadn’t popped up. Was four foot six was all he had to offer?

“Who are you?”

“Emilio Estrada Ramírez. I am barback.” The little man began wiping the counter and I tell him to stop.

“What did you see?”

“Nothing, señor.  I was in back when I hear shots. I stay there and call 9-1-1.”

“Who else was working last night?”

“Milana. She is bartender.”

“What’s her last name?”

“Kharinova. She is Russian.”

“Anyone else?”

“The bouncer.”

“What’s his name?”

“Ron. I don’t know his other name.”

“Milana and Ron – were they around when this happened?”

“Everybody go home. They go home. We close at two.”

“So, Emilio, was it just you and Mr. Lopez?”

“Yes. Me and him. Manny alway have drink when close. I stay with him to he close.”

“Was Matty here?”

“Oh no. She leave with Eduardo . . .  I say about five when dance class is close.”

“Was anything taken? Anything from the cash drawer?”

“No sir.”

There are no CCTV cameras inside or outside. I have nothing and no one showing me who entered and shot Manny. I need to question Milana Kharinova and Ron the bouncer. I bring Emilio to the station for his statement.

I found out from Emilio that Milana goes to MMAclass on Saturdays. “She wants to be UFC fighter.”

~~~

I track down Central City MMA Academy in an industrial park outside city limits.

The Academy is in an industrial use space with high ceilings and a loading dock. There are mats on the floor and on the walls. Kids, teens, and adults are going at each other, some wrestling, some Muay Thai Kickboxing, and some with Jiu Jitsu. I ask an instructor if Milana Kharinova is training today. He calls her over.

Milana looks to be about five eight and a flyweight. Her short chestnut brown hair, gray eyes, and sharp jaw line give her a sophisticated and confident look. That she is training in Brazilian Jiu-Jitsu told me that under her disarming beauty was a dynamo looking to take on all comers.

I take Milana outside and show her my ID. The first thing she says: “Is Miguel OK?”

“Miguel? Is he four years old?”

“Yes. Miguel is four. Have you seen him?”

“I saw Miguel over at the Lopez house. He’s OK. Was he supposed to be there?”

“Yes. Matty watch him so I can train.”

“Milana, I am here to ask about the shooting last night at Baila Escena. You’re the bartender, right?”

“Yes. Wait. There was a shooting? Last night?”

“Yes. Manny Lopez was murdered.”

“Oh my God! I say goodnight to Manny and go to Matty to pick up Miguel.”

“What time was that?”

“Last call at one-thirty. I leave at two.”

“Did you see anyone go in around closing time?”

“No. Everyone go out.”

“Were there any cars parked out front.”

“No. No cars. Just homeless people. I take taxi to Matty.”

I tell her that I am going to see Matty and check on Miguel. I tell her that I need her to come to the station to make a statement after her class.

~~~

I drive over to the Lopez place. I want to have a talk with the woman who didn’t want Manny around.

This time I ring the doorbell, stand back about four feet, and wait for her to answer.

“Well helloooo detective. May I help you?”

“I’m sure you could, but I’m married. Ms. Lopez, I need to ask you a few questions.”

“Come in.”

I walk in and notice Miguel watching cartoons.  He turns to look at me and turns back to the TV. I walk over to him and pull something out of my coat pocket. It’s a box of licorice pastilles. I offer one to Miguel. He takes one, puts it in his mouth, begins to screw up his face, and then asks for another.

“What did you give him, detective?”

“Licorice.”

“Are you trying to take him from me?”

“I was just talking to his mother over at MMA class. Now, I want to talk to you about last night. Privately.”

We walk into the kitchen. I keep an eye on the frying pan.

“You talk to her about what? What about last night?” She had dropped the smooth sultry voice and began using sharp tones.

 “Where were you last night Ms. Lopez?”

“I was here. With Miguel and Eduardo.”

“All evening?”

“Yes.”

“Manny was murdered about ten hours ago.”

“Oh. I see. Who knows what he’s been up to. What’s that got to do with me?”

“That’s what I’m here to find out. With your husband and business partner out of the picture, you get Baila Escena all to yourself. And the other day when you conked me on the head, you thought it was Manny that you were smacking with that frying pan over there. You don’t want him around. You have motive. And you don’t seem at all bothered by his death.”

“I don’t want him around, detective, but no that way.”

Eduardo walked into the kitchen wearing only pajama bottoms.

“Oh señor. You are back. How is your head?”

“My cabeza is fine. But things are not fine at Baila Escena.”

“What do you mean?”

“Manny Lopez was murdered last night.”

“¡Dios mío.”

“Let’s talk privately.” I bring Eduardo to another room and out of earshot from Matty.

“Where were you last night, Eduardo?”

“I was here. With Matty and Miguel.”

“The whole night?”

“Yes. The dance studio close at five. I leave with Matty and Miguel.”

“When did Manny arrive?”

“Manny he come in at four to ready the club.”

“You leave with Miguel?”

“Yes. Miguel come to the club with Milana the bartender.”

“What time does she start?”

“Five. She brings Miguel to the club and we take him home with us. When Milana leave club at two she come pick him up.”

“This is Saturday. Miguel is here with you and Matty this morning.”

“Matty and I watch him in the dance studio when Milana goes to class on Tuesday and Saturday here.

“Is Milana in class right now?”

“Yes señor.”

“What is Matty’s relationship with Miguel?”

“She loves him very much. She wants to adopt him. She say she can’t have children.”

“I need you to come to the station right now and make a full statement. I’ll get Matty’s statement later today. I don’t want to leave Miguel alone.”

I didn’t want Matty and Eduardo alone together. I needed to find a hole big enough in someone’s story to crawl through and find the killer.

Before I go, I offer Miguel another pastille. He takes it and says thank you.

¿Estás bien, Miguel?

“Yes, sir.”

Miguel spoke with a raspy throat. His nose was running and his eyes were bloodshot. He’d been rubbing them.

“Cats bother you?” I point to the three cats that had the run of the place.

“Yes, sir. I like dogs better.”

“I like dogs, too. I’ll talk to your mother about the cats. I’ll check on you again, Miguel.”

Miguel smiled and rubbed his eyes.

~~~

At the station I walk in with Eduardo. Detective Smoltz is waiting in the hallway.

“Need any help with that hot tamale Matty, Roy?”

Eduardo lunges at Smoltz and unloads a punch to his jaw. Smoltz tries to return the blow, but I put myself in between him and Eduardo. The Sarge walks up. “You will not press charges, Smoltz. Go back to work.”

I interview Eduardo and he repeats the same things he tells me at the house. Then I ask “Eduardo, what is your relationship with Ms. Lopez?

“We teach dancing together.”

“And what else?”

“What else?”

“You were in pajama bottoms this morning. Is Matty divorcing Manny?”

“She want to but business is problem. She love dance studio but need club business to pay bills. They business together but no live together now.”

“Why does Matty want to divorce Manny?

“Matty say Manny cheat on her. But I do not think it was true.”

“Why?”

“Manny a good man. He help people. He help Milana. I tell Matty Manny good but it no matter.”

“So why are you taking a good man’s place?”

Eduardo didn’t answer.

“Did you kill Manny to have Matty and the business to yourself?”

“No señor.

“Would Ms. Lopez be crazy enough to have someone kill Manny?”

“No señor. She can be crazy in her blood but the boy make her less crazy.”

I finish the interview and have an officer take Eduardo home and bring Matty to the station.

If those two had anything to do with Manny’s death, they would alibi each other. I needed more to go on.

~~~

Milana arrives at the station. I bring her to Interview Room 1.

“Milana, I saw Miguel this morning. He is allergic to cats. He’s having a hard time breathing. Matty has three cats.”

“I find better place.”

“Milana, how many nights do you work at Baila Escena”

“Six nights.”

“You said you left Baila Escena at two last night?

“Yes. At two. Everyone leave.”

“You saw no one come in?”

“No.”

“Did you ever see Manny cheat on Matty?”

“No. I never saw him cheat. He talk to women every night but I never see him do anything else.”

“Has he ever come on to you?”

“No. He knows what I can do to him if he did.”

“Do you know anyone who wanted to kill Manny?”

“No.”

“What do you know about Eduardo?”

“Eduardo is a friend. Maybe father.”

“Miguel’s father?”

“Maybe. Maybe father Jasper my MMA instructor. I see him when Eduardo stop with me. Eduardo is afraid of Ron.”

“Ron? Is he the bouncer at Baila Escena?

She nodded her head.

“What’s Ron’s last name?”

“Laverty.”

“What’s the story? Why is Eduardo afraid of Ron.”

“Ron watch me all the time. Ron is big man. That why Eduardo is afraid of him.”

“Why does Ron watch you?”

“I meet Ron online what they call mail-order service. In Russia I live with someone but he drink a lot and hurt me. I want to be MMA fighter. Take care of myself. But he says no.

“Ron pay for me to come to America. He want to marry me. I come to America with my friend Daria. I come stay with him. He talk to Manny get bar job for me. He keep eye on me. But I no want to marry him. He drink a lot and get mean. I stay maybe two week with him. No more. Manny help me get apartment.

“I meet Eduardo at club. He nice to me help me with rent but Ron scare him. I meet Jasper at MMA class. He nice to me. Give me free classes. Then I with child. Manny help me when baby come.

“Is Ron the father?”

“Ron think maybe is father but Ron say he had snip job. You know snip job?”

“Yes, I know.”

“Is the guy in Russia the father?”

“Maxim? I don’t know. He rape me and I leave.”

At this point, there are at least four paternal lines of inquiry into a dead man with no say in the matter, a mother and a boy who don’t know who the father is, and a tomorrow no one thought of.

“Does Matty know that you and Eduardo were together?”

“No. We careful.”

“Does Eduardo think Miguel is his son?”

“I think yes.”

“Does Matty know Miguel could be Eduardo’s son by you?

“I don’t know what Eduardo say to Matty.”

“Here’s what I heard you say, Milana: you come to America to get away from a drinking and abusive guy who raped you. You stay with Ron, who paid your way to America, maybe two weeks because he drinks and is mean to you. He got you a job at Baila Escena maybe to keep an eye on you.

“Your boss Manny gets you an apartment. You hook up with dance studio Eduardo who helps pay the rent. But Eduardo is afraid of Ron and leaves you. Then you hook up with Jasper who gives you free MMA classes. You find out that you are pregnant. All in less than a month. Is that right?”

“Yes.”

“And now, after four years, there are four men who think that Miguel may be their son: a Russian, one who shoots blanks, and two who help you in exchange for God knows what.

“Detective, men use me and I use them.”

“I am not here to judge you, Milana. I am working for the dead man. And the boy.”

There is a scuffle and shouting in the hallway. Orbits colliding? I get up to see.

~~~

Five officers are having trouble restraining two guys. One of the guys is huge. He had to be six foot five and two-hundred-fifty pounds. The other is a scrappy looking guy with dirty blond hair, mustache and goatee.

One of the officers says, “These two were going at it outside the Lopez house.”

“Who’s the big lug?”

“Ron Laverty.”

“The other guy?”

“Maxim Chernykh. He shot some guy named Eduardo.”

“Is Eduardo OK?”

“He took a bullet to the gut. He’s in ER right now.”

“Was a guy named Jasper there?”

Both handcuffed guys growled, “Who’s Jasper?”

“No. No Jasper, Roy.”

“Was the boy in any danger?”

“Not that we could see. He stayed behind his mother.”

“Put the big lug in holding and put the shooter into Interview Room 2. Is the gun 9mm?”

One of the officers said it was.

“Before you send the gun to ballistics have it fingerprinted and check the serial number.”

“One other thing, Roy.” Sarge walked up to show me the two Russian passports found on Chernykh. One was for Maxim Chernykh and the other for Mikhail Chernykh. The boy’s picture looked like a cut-and-paste job.

“Sarge, send this one to Immigration. It looks fake.”

I return to Interview Room 1. I tell Milana that a guy named Maxim Chernykh was picked up outside the Lopez place. I tell her that he was threatening Ron with a gun and shot Eduardo.

Milana jumped out of the chair ready to fight. She looked at the door and back at me.

“Miguel . . . is Miguel . . .?

“Miguel is safe. You’re safe here, Milana. Ron is in holding and Mr. Chernykh is waiting for me to interview him. Please sit down.”

~~~

Before I talk to the Russian, I go to holding to interview Ron.

“Ron, what were you doing at the Lopez place?

“I followed Milana this morning. I wanted to see where she goes with Miguel. If he is my son, I have a right to see him. I pay fifteen thousand dollars for Milana to come here. Fifteen thousand dollars! And she stays away from me. She keeps the boy from me. I try not to be difficult but difficult people try my patience.”

“What happened over there?”

“I’m in my car and see this guy go to the door. He looks like the homeless guy I blocked from the club last night. I wonder what he is doing here.

“He starts yelling “I vant ze boy come out now!” A man opens the door and tells him to go away but the nutcase pulls a gun out and starts waving it around. So, I get out of the car and start yelling for him to back off. The guy points the gun at me and I tell him I’ll break his neck. The guy is in a hurry to get the boy. He turns the gun back on the man at the door and shoots him. I rush the nutcase and take him down and hold him for the police.”

“Ron, the situation could have been a lot worse if you hadn’t been there. You protected Miguel and saved lives. Now it’s time for hard words and hard choices. You need to go your own way and leave Milana and the boy alone. From what Milana tells me, Miguel is not your son. And she left you because in the short time she’s known you, she thinks of you as no different than the same drinking mean guy she left in Russia who is the nutcase you took down today. But you showed me better than that today.”

“I know I’m a big galoot. I paid big money not to be lonely and I’m still lonely.”

“I’m no Dr. Phil, Ron, or a Sargent Grasso, but maybe find a focus outside yourself.”

~~~

I walk into Interview Room 2. Chernykh is pacing with clenched fists.

“Sit down Mr. Chernykh.”

He scraps the chair back, sits down, throws both arms on the table, leans in, and scowls at me with an open mouth and wolfish green eyes.

“Mr. Chernykh why were you are the Lopez house?”

“Mikhail.”

“Mikhail?”

“Milana call him Miguel to hide him from me. But I find out from Daria.”

“Milana’s friend?

“She is my friend, too. I send her money.”

“You came to America because you believe four-year-old Miguel is your son because four years ago you raped Milana and she left Russia with Daria?”

“Detektiv, you tupoy? You do not know how vomen are?”

“You’re not as smart as you think, yobik.”

“Oh, yes. I get Mikhail take him to home to Russia. Daria come, too.”

“You shot Eduardo. Why?”

“He tupoy problema.”

“The gun. How did you get it?”

“Daria has friends.”

“I hope Eduardo makes it. You better hope so too, Mr. Chernykh. There are several charges pending including assault with a gun, attempted kidnapping and passport fraud. No Russia for you, pal. No Daria. No Mikhail. Yesli ti dyéystvooyesh’ kak doorák, ti boodyesh’ traktovat’sya tak.”

~~~

I return to Milana with a bottle of water.

“I talked to Ron. He followed you to the Lopez house this morning. He saw Miguel go in there and he saw Chernykh trying to take the boy from Eduardo. Chernykh shot Eduardo and Ron took him down and held until police arrived. Ron saved Miguel from being kidnapped.

“He isn’t happy, Milana, that he paid for you to come to America and that you and the boy stay away from him. I told him that Miguel is not his son and to let you and Miguel be.

“I talked to Chernykh and found out that Daria is not your friend. She’s been helping Chernykh so he can take Mikhail back to Russia. She told Chernykh where to find Mikhail. Chernykh said Daria was going with him.”

Milana’s face turned fierce. “I tell her everything. I tell her I leave Ron. I tell her I have baby. I tell her that Manny help me get apartment and help me with baby. Maxim kill a good man because good man help me and Miguel.”

“Chernykh shot another good man because Eduardo wouldn’t let him get near Mikhail. Ballistics is looking at the gun Maxim used on Eduardo. If it matches the gun used on Manny, he will be charged with first degree murder. And, if Daria is involved in Mikhail’s attempted kidnapping, in supplying a gun for Manny’s murder, and in passport forgery I will bring her down.

“There are several charges pending against Chernykh including assault with a gun, attempted kidnapping and passport fraud. I told him that if he was going to be an idiot he would be treated like an idiot. He will be locked up for a long time.”

Before I send Milana on her way, I tell her to find a place for Miguel that has no cats. I give her my card and tell her to call me when she finds it. I’ll come and check on Miguel. Milana’s been to the mat several times and not for Jiu Jitsu. I hope the boy comes out on top.

It’s been a long day. I head toward the parking lot hoping Sarge doesn’t see me. But he does.

“Roy, I’ve been aware for many decades that most murderers are morons. Aristotle said that actions are consistent with character.”

I tell him that Mrs. Sarge called. I tell him she has some pasta e fagioli and a bottle of chianti waiting for a character like him at home. I tell him I’m going home to Laci, and to some Pozole that my father-in-law made, and to watch Ninón Sevilla in Víctimas del Pecado with him. I pop a licorice pastille in my mouth and walk out the door.

~~

©J.A. Johnson, Kingdom Venturers, 2026, All Rights Reserved

The Last Wound

Nighthawk Diner was almost empty by the time I walked in. My thoughts were rambling and looking for a place to land.

“Coffee, Roy?”

“Yeah, fill ‘er up. And a slice of your apple pie.” I shoved an empty cup across the counter toward Max.

The sound of gun shots came from the alley behind the diner. Then several more. I got up from the counter.

Max poured the coffee. “Roy, it’s almost The Fourth of July.” I sat down.

A couple at the end of the counter were setting off their own fireworks. She made it clear that she had changed her mind about him.

I sat with my coffee half-listening and half-mulling. Did she learn something that made her realize that she would never change him?

Whatever the reason, the woman got up, huffed out, and hailed a cab. The guy looked over at me and threw up his hands. I half-nodded half-smiled and returned to my coffee. It was late. I was tired and way past understanding anything.

There was another loud crack in the alley. I let it go. Max brought the pie.

“Say Roy, did you ever catch whoever vandalized the jewelry store a few doors down?”

“The smash and grab? Yeah, a couple of guys stole some expensive watches and fenced them to buy drugs. They’re locked up now.”

Max wiped his hands with the towel that hung from his waist. “They vandalize others so they can vandalize themselves. Makes no sense.”

“It makes the same sense as losing a finger or an eye playing with fireworks.”

As I was saying this, a fire engine with sirens blaring and lights flashing drove past the window. An ambulance and a squad car followed.

“I guess I better have a look.”  I paid for the coffee and the apple pie, grabbed my hat and headed for the door.

“Say hi to Laci for me, Roy.”

“Will do, Max.”

Outside, I expected the sulfurous, rotten egg-like odor given off by fireworks. But the heavy acrid smell of a fire filled the air. I could see fire trucks at Center City College campus. That’s where I headed chewing on some Black Jack gum my best girl had put in my coat pocket.

~~~

I cleared the police barricade tape with my ID and walked toward the Larks Faculty Admin Building. A fireman stood in a fifth-floor window. He radioed below to the fire chief I walked up to. The fire was out, he said, and there was a body on the floor.

“Roy, the elevator is shut off. You’ll need to walk up.”

That was the corpulent sergeant Fullman. Beads of sweat rolled down his face. He wasn’t about to walk up the five flights of stairs. So, I had to.

The climb to the fifth floor wasn’t easy. The handkerchief covering my nose and mouth didn’t keep out the sharp-tasting smoke and I was already tired from being up the past 30 hours. My heart was thumping like a freight train passing through a small town at night.

The sign on the fifth-floor office read:

Arthur J. Talbot

Professor

School of Humanities, Arts and Cultural Studies

Inside, a fireman stood poking through a large pile of charred books. He was making sure that there were no more embers.

The shelves had been emptied. Books had been thrown into a pile next to the desk and set on fire. Everything had been doused with water. There was no vanilla-like smell of old books. There was a damp burnt wood smell.

A man’s body lay face down on the floor. I put on some nitrile gloves, knelt down, and lifted his shoulder to look at his face. The anniversary photo on the desk confirmed the dead man to be Professor Talbot.

He didn’t appear to have any wounds, but the large book he was holding – Virgil’s Aeneid in the original Latin – had large gashes in the cover. Was he holding the book to protect himself?

Before I got up, I noticed something under the desk. I stuck my arm under and pulled out a wooden replica of a tall ship. The engraved brass label read USS Constitution, “Old Ironsides” 1797. A third of the ship had burnt away. I handed it to the fireman.

I searched the pockets of his tweed jacket, his waistcoat, and his pants. His wallet, his wedding band and his watch had not been taken. It wasn’t robbery. It was someone with a grudge making a deadly point.

The fireman pointed to the waste basket. “The fire started there.”

“How did it spread to the books.”

“Accelerant was used in the bin and on the books. Someone lit some paper, threw it in the bin and then dumped the blaze on the books.”

I stood back trying to imagine the scene and then went to the open window. I stuck my head out and yelled down to sergeant Fullman “Send up forensics.” The outside air didn’t clear my head. There was a pungent taste in my mouth. I tossed my gum out the window.

Ten minutes later, two white-coveralled techs with masks make it to the fifth floor. One of them starts taking pictures. The other examines the professor’s skull.

“I see no injuries. He might have been overcome trying to put out the fire and died of smoke inhalation.”

I left the techs to their work. I had to go back outside. My stomach didn’t know what to do with the taste in my mouth.

“Roy, what did you find out?” Sargent Fullman asked from his bench perch. I told him that it looked like a homicide. “Crime never sleeps, Roy. Not even on a holiday.”

“You better go home, Sarge. Mrs. Sarge will be worried about you in this heat.”

I stood there blowing my nose and looking around at the crowd that had gathered behind the police tape. Some of the onlookers were holding protest signs. One very anxious woman stood out. It was the woman in the photo.

I pulled her out from the line and brought her to a quiet spot.

“Ma’am, I’m Detective Winder. Are you Mrs. Talbot?”

“Yes, detective. I’m Alice Talbot. Is my husband OK?”

“I’m afraid, Mrs. Talbot, that your husband has passed. I’m looking into what happened.”

This news had her crumble into my arms and then she pulled back. The smell of smoke on my clothes had her wondering horrible things. I told her that her husband’s books had been burnt but that he was untouched by the fire.

She looked over at the protestors. I figured they were adding more pain to an already painful night for Mrs. Talbot.

“Mrs. Talbot, do you have someone you can stay with tonight?”

“My daughter.”

“I would like to talk to you again, tomorrow. Is that OK?”

“Yes, detective.”

“Just one question tonight. Why was your husband here on campus so late at night before a holiday?”

“He was to give the Fourth of July speech . . . at the bandshell in Larks Park . . . before the fireworks. He told me that he wanted to make sure it was his best. He said it would likely be his last.”

“Why did he think it would be his last speech?”

“Some students filed complaints against him. They thought his teaching was biased or not biased enough. I don’t know.” She looked over again at the protestors.

I had an officer wait with Mrs. Talbot until her daughter arrived.

I went home, put my clothes in a dry cleaner’s bag, put my gum on the dresser, took a shower, and then slipped into bed next to my best girl.

~~~

I woke up two hours later when I heard the TV. Laci had the news on.

“Fifty-nine-year-old Professor Arthur J. Talbot, a professor at Center City College, was found dead in his office. There are reports that his books had been destroyed in the fire.

“One colleague described Professor Talbot as the pillar of the School of Humanities, Arts and Cultural Studies. Professor Talbot authored several books about philosophy, ethics, and religious studies. 

“He is most well-known for his books Minds Made Up: Ideology as Identity and Zero-Sum Culture and The Leveling of Society.

“He is survived by his wife Alice, two children and seven grandchildren.”

I turned the TV off when Laci reminded me that it was the Fourth. I had hoped to spend it with her on the patio with some ice-cold lemonade and a couple of steaks on the grill. But murder has a way of deciding for others.

I called Mrs. Talbot and her daughter answered. I told her that I needed to spend a few minutes with Mrs. Talbot.

“Come right over. The family will be here soon. It’s 208 Larks Avenue, a brownstone across from Larks Park.”

It was the start of one of those searing and sultry days of summer. The package of Black Jack gum in my coat pocket was getting soft, too soft. I wanted to shed my suit coat, loosen my tie, and open my collar. But I had to look like business. I hoped the Talbot place had AC.

When I arrived, Mrs. Talbot’s daughter opened the door.

I addressed mother and daughter. “I am sorry for your loss. I am curious. Is there anyone who would want to hurt your husband, your father?”

Mrs. Talbot wiped her eyes. “I can’t think of anyone directly. But there are students who don’t like what he taught, don’t like what he wrote. The department chair received student complaints about his teaching style, his course content, and his courses on ethics and religion. He was penalized in his annual performance review for a bias toward Christianity.”

Mrs. Talbot wiped her eyes again. “I saw the protestors last night again. I saw them at his last talk on campus. I see them outside our house with signs.”

“Has a protestor ever harmed you or your husband.”

“Not directly. But we don’t feel safe in our home or leaving our home. Now they’ve had their way with him.” She couldn’t continue and laid her head on her daughter’s shoulder.

I asked the daughter if she knew of anyone specifically who had filed a complaint.

“I think my father said her name is Madison with a ‘y’ . . . Madisyn Sawyer. She lives directly across from us on the other side of the park.” She walked over to the window. “Right there.” She pointed to a four-story apartment building.

Before I left, I told them that there would be an autopsy to determine the cause of death. I would let them know what I find out.

“Detective,” Mrs. Talbot lifted her head, “Arthur was to give the Fourth of July speech today over at the bandshell across the street. He showed me the third draft of the speech. He went to the college last night to finish it – something about wanting to make sure of a Latin phrase from Virgil’s Aeneid.”

“Do you know what phrase he was thinking about?”

“Tu ne cede malis, sed contra audentior ito. It translates as ‘do not give in to evil but proceed ever more boldly against it.’”

“Ma’am, I wish I could have heard him deliver that speech.”

As I opened the door, a couple was just about to enter.

“Who are you?” asked the man.

“I’m Detective Winder. And you?”

“I’m her son Matthew and this is my wife, Mandy. Any information on my father’s death?”

I told him that I was there to find out who might want to harm his father. I asked him and he said that he knew of no one. I told them there will be an autopsy to determine the cause of death and that I would be in touch when I had more.

Walking down the sidewalk, I noticed someone standing with his bike across the street. He was watching the Talbot house. I decided to walk across the park to question Madison with a ‘y’. When he saw me coming in his direction, he got on his bike a rode away.

 ~~~

I make my way over and up to Madisyn Sawyer’s fourth-floor studio apartment. I knock. A short round woman with fuchsia-streaked pixie hair and an assortment of piercings and tattoos answered. I identify myself.

“The police! Are you here to arrest me?”

“Do I need to?”

“Isn’t that what police do, detective? Arrest people and find them guilty?”

“I’ll let you know. Ms. Sawyer. I’m looking into the events of last night and the death of Professor Talbot.”

 “Come in.”

“Ms. Sawyer, I understand that you filed a complaint against professor Talbot. Is that correct?”

“Yes, detective. I had issues with his Introduction to Ethics and Issues in Death and Dying class. He had us reading Thomas Aquinas and asking us about the “highest good.”

“Is that a problem?”

“There are other perspectives, detective.”

“Were you aware that Professor Talbot was at his office last night?”

“Yeah. I was down on the third floor working on my Master’s thesis. I wanted to finish some research before the holiday. Professor Talbot came down to talk about my research for my dissertation. Then he went back up to the fifth floor, I think.”

“What time was that?”

“Around eight eight-thirty, I think. Before I went home, I went up to ask him about some research I came across. But he wasn’t there.”

“Was anyone else around the fifth floor then?”

No. But there was someone coming up the stairs as I was going down. “

“Describe him.”

“He looked like a high-schooler. He had black hair. He was skinny. Wore jeans and a black hooded sweatshirt and sneakers.”

“Anything else?”

“He was carrying a bicycle tire pump.”

I look around the studio apartment. Two bikes and two backpacks leaned against the wall. Outside the small open kitchen area there was a table with two chairs. On the table was a lit oil candle. On the wall was a TV the size of a billboard. The room filled out with a well-used arm hair holding a cat that couldn’t be bothered and a futon with protest signs leaning against it. Books were scattered around in piles. I scan some of the titles.

“These titles . . .? You don’t agree with what Professor Talbot teaches?”

“Is that a crime?”

“Only if it’s not by the book.”

I notice a photo on the refrigerator door.

“Who is this?” I was looking at a photo of a smiling Ms. Sawyer and a severe-looking dark-haired guy.

“That’s Hadrien Marie. We share the apartment.”

“Does he attend the college?”

“Oh no. He owns a vape shop on third street. He’s there now.”

I give her my card and ask her to call me if she hears anything about last night.

I came away with the impression that Ms. Sawyer’s prerogative was not used to change her mind, as they used to say of women. It was her prerogative to impose change on other people’s minds. She came across as a protest.

~~~

I grab another stick of Black Jack gum from my pocket and walk over to the college to ask about CCTV of last night.

The building superintendent tells me that there are cameras on the exterior of the building, the first-floor entrance, and hallway cameras. I ask to see the exterior footage from last night starting at nine-o’clock.

Just after nine, I see the man that Ms. Sawyer described entering the building.

I ask for the footage of the first-floor camera starting at nine. I see the black-hooded young man with jeans and the bicycle pump entering the building and heading up the stairs. I ask for the footage of the third-floor camera. It shows the hooded man heading up the stairs and Ms. Sawyer going down the stairs.

The fifth-floor footage shows the hooded man reaching the top of the stairs. He enters the professor’s office. He’s in there for three minutes and leaves.

The first-floor video shows him leaving the building minutes later. The exterior video shows him getting on his bike and riding off.

I need to find this young man. I capture a screen shot of him on the first floor. The image of him was a bit blurry but there was enough to show people. There was enough to show me that this guy looked a lot like the same guy watching the Talbot house. I walk back to the Talbot house.

~~~

Matthew opens the door. “Anything yet, detective?”

“I want to show your mother a picture.”

Mrs. Talbot is seating on the couch surrounded by her grandchildren. I have her look at the screen image.

“No. I don’t know him.” She handed the picture to her son.

“Has anyone noticed a young guy standing across the street watching your house?”

“What?” Matthew went over to the street window and looked out. “He’s there right now, detective.”

“Do you recognize him?”

“I . . . well . . . that might be the kid that used to vandalize our house when we were at church. That was years ago. Matthew looked at the photo again. “Yeah, that could be him.”

Mrs. Talbot came to the window. “There was a boy in our neighborhood who seemed to hate us. We’d come home from church and find the top of our tulips cut off. We’d find our garbage cans knocked over. We’d find dead animals in out mail box. We’d find our car tires flat. He’d ride by on his bike yelling all kinds of nasty things. In my day we called kids like that juvenile delinquents.”

“Mom, they’re called young offenders today, as if a change of designation was social progress. And, that kid was Brandon . . . Brandon Brix. I had a few run ins with him.”

I go out the door to speak with the young man. But he gets on his bike and rides off.

I leave the Talbots and walk to the station. I need to find out more about Brandon Brix.

Brandon, according to the police blotter, had committed a couple of misdemeanors at the age of twelve. He had been charged with defacing school property with spray paint and with petty theft of tools taken from several garages. He was sentenced to six months in juvenile detention and then placed on parole for a year. Brandon is now eighteen. He lives on Shore Oaks drive with his mother. That’s where I headed next.

I drive up to the Brix house and see a bicycle laying on the grass. I knock. A fiftyish woman with heavy bags under eyes answers.

“Mrs. Brix?”

“Yes. Who are you?”

“I’m detective Winder. I need to speak to Brandon.”

“Oh no. Don’t tell me he’s back to his old ways.”

“That’s what I’m here to find out, ma’am.”

“Brandon! Come down here!”

The young man I had seen across the street and in the screen-capture came down the stairs. He looked scared.

“Brandon, I’m detective Winder. I am investigating what happened to Professor Talbot last night. Cameras have you at the college last night. Cameras have you going into Professor’s Talbot’s office. Can you explain?”

“Oh, Brandon, you didn’t, did you?”

“No ma. I was there to apologize to Professor Talbot. I finally worked up the courage to face him. I watched him go to the college last night. I waited till there wasn’t anyone around. I just wanted to talk to him. I had messed with him and his family when I was a kid.”

“Detective, I divorced my no-good husband when Brandon was ten. He had a lot of anger over that. That’s what’s at the root of his troubles.”

“So, Brandon, you were there to apologize to the Professor?

“Yes sir. But the Professor wasn’t in his office. I didn’t want to walk around to find him. I didn’t belong there in the first place. So, I wrote him a note and left it on his desk. I wanted to take responsibility for the way I acted toward him and his family.”

“Ma’am, sounds like Brandon figured out what was at the root of his troubles. It was his bad behavior.”

“Brandon, that is a noble of you,” his mother hugged him.

“You saw no fire?”

“No sir. I heard about what happened to Professor Talbot on TV. I went over to their house hoping for a time to speak with Mrs. Talbot alone. But people were coming and going.”

“Why were your carrying a bicycle pump, Brandon?”

“I didn’t want it stolen. I used to steal things when I was a kid so I knew what could happen.”

I asked Brandon to come to the station to make a statement. I needed to establish a timeline, talk to the medical examiner, talk to forensics, and review the videos from the administration building. If Brandon didn’t start the fire, then who did?

~~~

I met with the medical examiner and the deceased.

“Roy, toxic fumes, not flames, were the primary cause of death. There are no major burn injuries or grievous external wounds, no blunt force trauma found that could be attributed as the direct cause of death. “

“Note the swelling around the faces and eyes. And there is soot and smoke particles inside his nasal passages. He inhaled large quantities of smoke which may have caused a fatal heart attack. I’ll know more later.

“You know Roy, he could have left the room to breathe in clean air. But he must have stayed inside trying to put out the fire destroying his books. He also could have used the fire extinguisher in the hall, but maybe he didn’t want that powder on his books. Maybe he thought he could put out the fire.”

Mike in forensics had more to report.

“Roy, the fire started in the garbage bin next to the desk. It was started with an accelerant – liquid paraffin. Liquid paraffin is used in lamps and candles. The building administrator said that no candles or lamps or anything flammable is allowed in the building. And no smoking and vaping is allowed within a hundred feet of entrances and exits. Someone brought in the liquid paraffin and lit it up.”

I asked Mike for pictures of the scene. I was hoping to find Brandon’s note to Professor Talbot.

“Roy, whatever paper was on the desk must have been pushed into the garbage bin. Here are pics of the charred scraps that had floated up from the fire and landed in the room.”

All but one document had been typewritten. The one handwritten scrap had “Mr. Talbot.” The rest of the note had burned off.

The videos were next. I start with the fifth-floor video at eight last night.

I see Professor Talbot walking down the stairs with a paper in his hands. I follow him to the third floor. He stops to talk to Ms. Sawyer. He hands her a paper. She looks it over and looks rather unhappy.

The Professor goes back to the fifth floor but he doesn’t go to his office. He goes to an office several doors down. He stays there for an hour. I call the college and ask about the office. I learn that it is Professor Cline’s office. He’s a close friend of Professor Talbot.

I call Professor Cline and ask about that meeting. He says that Professor Talbot wanted to go over his speech with him. He confirmed the time.

I watch the fifth-floor video and see Brandon go into Talbot’s office for three minutes and then leave. Professor Talbot was still down the hall.

Minutes later, Ms. Sawyer reaches the fifth floor and looks into Professor Talbot’s office. Then she walks halfway down the hall and then walks back to his office and goes in. She’s in the office for six minutes and then heads down the stairs.

Fifteen minutes later, Professor Talbot leaves Professor Cline’s office. Professor Clines heads down the stairs with his briefcase. Professor Talbot goes to the men’s room. He leaves the men’s room after a few minutes and returns to his office. He does not come out. He is not seen again. I see smoke. The automated sprinkler system must have gone off.

Ms. Sawyer was the last to enter the office. Or, was she? Old buildings like the Larks building have fire escapes. Was the office window opened by the fire department or had it been opened by someone using the fire escape to vandalize the office and start the fire?

Before I go to review the building’s exterior camera video, I call the fire department. The chief asks around and says that every fireman up on the fifth floor thought that the victim had opened the window.

I watch the video from building’s main entrance exterior camera. I see Brandon unchaining his bike and then riding off. Ten minutes later I see Ms. Sawyer with her backpack doing the same. The fire started after she left the Professor’s office. Was she in on it?

I rewind the exterior night footage video and then advance it slowly.

A figure appears on the far left. It looks like a black-hooded man with a backpack. He’s about the same height as Brandon but Brandon didn’t have a backpack when he left the building. The figure comes near the building. I switch to the building’s corner camera video to view the fire escape. Only the outside railing of the fire escape is visible in the video, but I can see movement on the fire escape each time the figure passes a lit window.

I check the main entrance video and the internal videos again. I don’t see the black-hooded man. He must have gone up the fire escape.

I watch and watch. I can’t see the fifth-floor window but smoke begins pouring out at that level. Minutes later I see the hooded figure walk away from the fire escape. The figure tosses something into a garbage can by the sidewalk. He gets on a bike and rides away.

I send Mike of forensics to check out the trash can on the campus. He calls after twenty minutes and tells me that he found a fire starter and a bottle of liquid paraffin. I tell him to grab the finger prints from both and to finger print the fire escape near the fifth-floor and the window. Our suspect has left his mark.

The campus has plenty of people walking around with backpacks. There were two at Ms. Sawyers place. And there was an oil candle.

An hour later I get the results. The finger prints match Hadrian Marie, the owner of a vape shop on third street. He had previously been arrested for criminal damage to property – fire damage to a church. He was more severe than he looked.

I get a probable cause warrant from the DA to search the studio apartment. I take Mike and two officers with me. The fireworks over at Larks Park were about to begin.

~~~

Back at the station, I put Ms. Sawyer in one interview room and Mr. Marie in another.

Mike calls me and says he’s pretty sure that one of the backpacks has liquid paraffin spilled on the bottom. And he found a black-hooded sweatshirt that smells like smoke in the hamper. He’s on his way back to the station with the items to analyze them.

I interview Ms. Sawyer first. I want to know if she was involved.

“Why am I here, detective? Why is Hadrian here?”

“Ms. Sawyer, video from last night has Professor Talbot handing you some papers and you looking very unhappy. What was that about?”

“I asked Professor Talbot to review my Master’s thesis. He said that before I narrowed my focus and framed my argument, I needed to broaden my perspective. He said I needed a more thorough review of existing literature to identify gaps in my thesis. He said that I needed to consider not only what I agreed with but also what I disagreed with. He handed me some resources to critically review.”

“Did this upset you?”

“Well, yeah. I was frustrated. I mean, I’d already spent a lot of time on the thesis and thought I had nailed it.”

“Ms. Sawyer, after you left the admin building last night, did you go straight home?”

“Yes.”

“Was Hadrian home when you arrived?”

“No. He came home later. He had to close the Vape shop. Why?

“Sit tight.” I leave the room and go talk to Mike.

“Roy, on the bottom of both backpacks there are drops of liquid paraffin. It’s the same liquid paraffin used in the candle. The fire investigator says It’s the same liquid paraffin that was used as an accelerant.”

“Thanks Mike.”

I head to Interview Room 2 to question the wild-eyed Mr. Marie.

I enter and find him standing in the corner with his arms crossed and a mean mug.

“Why are we here? And shouldn’t you be out watching your glorious American fireworks?”

“Mr. Marie, I am detective Winder. Have a seat.”

“Now, Mr. Marie, where were you last night between 9 PM and 10:30?”

“At my shop. Till ten. Then I went home.”

“Mr. Marie, we searched your apartment and found things that tie you to the fire and the death of Professor Talbot.’

“What?! How can that be. I was at my shop. I was at home.”

“We found traces of liquid paraffin in your backpack. It’s the same liquid paraffin that is used for the candle in your apartment. It’s the same liquid paraffin that accelerated the fire in the professor’s office.”

Mike walks in and hands me the finger print results.

“It appears, Mr. Marie, that you’ve left a trail of finger prints on the fifth-floor fire escape and on the office window and on the office trash can and on the fire starter and bottle of liquid paraffin found in the trash can adjacent to the admin building. It appears that you’ve crossed a bridge and burned it behind you.”

“What are you taking about?”

“I saw the plaque on the wall of your apartment.” I look at my notes. “It says . . .

“You are America. Unconstrained by habit and convention. Unencumbered by what is, ready to seize what ought to be. For everywhere in this country, there are first steps to be taken, there is new ground to cover, there are more bridges to be crossed. Obama, right?”

“Madisyn called me, Mr. Dick, and told me what the old guy said about her paper. She tells me everything that guy says. She told me that students complained about his teaching style and course content. They complained about his courses on ethics and religion, his Christian bias. He never includes teaching about decolonizing and anti-racism. He never includes the things that really matter!

“The “greater good!” Hah! He knows nothing about the “greater good” when there is so much injustice and so much inequality in the world!

“So yeah, I came in the window. Yeah, I threw the books on the floor. Yeah, I lit the fire. It was a statement. A statement against his old tired way of thinking. He’s stuck in the past. He needed a wakeup call.”

“Mr. Marie, did you strike Mr. Talbot?

“He came at me as I was going out the window. I only had the fire starter to protect myself. So, I swung it at him.”

Mr. Marie, did you strike Mr. Talbot?

“I struck the book he put up to his face. He was alive when I went out the window.”

“Professor Talbot perished from the fire. And now Mrs. Talbot, her children, her grandchildren and his many students must suffer the injustice and inequality of your act.”

At this point, I read Mr. Marie his rights.

“Detective, Madisyn has nothing to do with this. I waited by the window until Madisyn left the building. I didn’t want her involved.”

“We’ll see about that. Hadrian Marie, you willfully started a fire to intimidate Mr. Talbot. You are being charged with arson and the involuntary manslaughter of Mr. Talbot. Your unconstrained habits and convention will be remanded into custody. You will be encumbered by it is.”

“I want a lawyer.”

I returned to Interview Room 1 and Ms. Sawyer.

“Ms. Sawyer, video from last night has you going up to the fifth-floor, looking into Professor Talbot’s office, then walking halfway down the hall, and then walking back to his office. You are in there for six minutes.”

I show her the video.

“It looks to me that you checked Professor Talbot’s office to see if he was in there. He wasn’t. Then you hear his voice. You walk down the hallway and hear him talking with Professor Cline. Then, you go back to Professor Talbot’s office. What were you doing in there?”

“I was . . .I was writing a note about the research I found.”

“Did you see another handwritten note on the desk?

“Yeah. I looked like something a kid wrote to Professor Talbot.”

“Ms. Sawyer, we found your finger prints on the books piled on the floor. We also found your finger prints on the window you opened for Hadrian. And, we also found drops of liquid paraffin in your backpack – both backpacks found at your apartment.”

“It was supposed to be a statement, detective.”

“You mean you were showing him a different perspective when you tossed his books into a pile on the floor, opened the window for Hadrian, handed him the liquid paraffin and then left. You will be charged with second degree murder in the commission of felony arson.”

“The last wound the professor suffered, Ms. Sawyer, was fatal. He was trying to put out the fire consuming his books. His fifty-nine-year-old heart gave out. He died of smoke inhalation and heart failure.”

At this point, I read Ms. Sawyer her rights.

~~~

Back at my desk, I make a note to call Mrs. Talbot in the morning. I’ll tell her about Mr. Marie and Ms. Madison with a ‘y’, and about Brandon Brix. I put it in my pocket with the pack of Black Jack gum.

I call my best girl.

“Roy, the fireworks are over.”

“Laci, I wrapped the case. I’ve been crisscrossing the campus all day long. My dogs are killing me and I’m beat. Listen, darling, tomorrow I’ll make sure there are lots of fireworks and then we’ll grill some steaks and watch The Thin Man.

“You never change, Roy.”

“That’s why you love me. See you soon.”

~~

©J.A. Johnson, Kingdom Venturers, 2026, All Rights Reserved

Musical Chairs

The calls come when I’m in the shower or in a dream. Tonight, a call interrupted someone with a buzzsaw chasing me down a dark alley.

“Roy, if you pick that up it stops making noise.”

“Huh? I love you, too, Laci. Put the buzzsaw down.”

“Roy, pick up that hum-buzzing thing.”

“Huh . . . Oh . . .Hello?”

My sister-in-law Diane was on the phone. She was in a state.

“Roy, it’s Dutch.”

“What’s happened?”

“Dutch hasn’t come home from yesterday’s rehearsal,” her voice broke. “I called and called and when he finally picked up, he sounded drunk, incoherent.”

“Where is he now?”

“I don’t . . .wait . . .he’s walking in the door right now . . . Oh no! I see why he sounded like that. You should see for yourself.”

I told her I would come right over.

“Roy, what is it?”

“Diane says something happened to Dutch.”

I kiss Laci, get dressed, and head over to my brother’s place.

My older brother Dutch plays trumpet for Center City Symphony Orchestra. He auditioned for the group fifteen years ago and was appointed Principal Trumpet chair. I went in a different musical direction. I blow the whistle on the bad guys as lead detective for Center City.

I arrive at my brother’s house and go inside. Diane, teary eyed, runs up to me.

“Look what they did to him, Roy.”

“Who?” I walk into the living room.

“Someone . . .  someone did this to him.”

Dutch was sitting in an arm chair holding an ice pack on his face. His eyes were glazed over. I ask to look at the damage.

His nose and mouth were bloodied. He had a fat lip and two front teeth had been knocked out. Not good for someone who makes a living with serious chops.

“You won’t need stitches, Dutch, but you’ll a need couple of teeth.

“And, he’ll need months to recover his embouchure!” Diane sobbed.

Dutch coughed spitting out blood. “I wasssupposed to play the Haydn Trumpet Concerto homorrow night.”

“Who did this to you, Dutch?”

“Hats just it,” Dutch moaned, “I dunnooo. I wasss backssstage with my horn and sssomeone called my name. I turned and whhaamm ha stage curtain hit me. I fell back and hit my hhhead.”

“Stage curtain?”

“Like a cannonbawll.”

“Did anyone see what happened?”

“I dunnooo,” he gulped. “Whhhen I came to my hhhead hurrd my mouth hurrd and my trumpet bell was smashed.

Diane brought another bag of ice and a shot of bourbon.

“Roy, they took him to the emergency room and kept him there for observation. They were worried about a concussion. Dutch said that the orchestra manager was there fretting about him not being able to play and the Center manager was there fretting about liability. I should have been there fretting over Dutch.”

I told them that I would go to the Arts Center later that morning to investigate. Before I left, I almost told Dutch to keep a stiff upper lip. But he was in no mood for kidding.

“Roy, find out wahhappened. Will ya?”

I promised I would.

 ~~~

After a couple of hours of sleep and a cup of black coffee with my best girl, I drive over to Central City Performing Arts Center to meet with the orchestra manager. It looked to be a long wet Friday. I needed something to offset the feeling I had in my gut. I stop and buy a couple of boxes of Good and Plenty.

Over at the Center, I introduce myself to the bowtied Mr. Caldecott. I ask about yesterday’s rehearsal.

“Well Detective, I arrived at noon yesterday to set up the chairs, stands, and music for the afternoon rehearsal. But the stage curtain was still down from the previous theater performance, so nothing could be placed. I went and asked the Center’s custodian to raise the curtain. An hour later the curtain was raised and then someone told me that our Principal Trumpet had been injured.”

“When exactly did the curtain go up?”

“The curtain didn’t go up until two. So, rehearsal started at three-thirty, not the usual three.”

“When do the orchestra members show up”

“Usually, it’s an hour before rehearsal begins. They warm up and review the music.”

Mr. Caldecott then informed me that only the sound technician and the custodian were around when he arrived yesterday. He walked me over to the sound booth at the back of the auditorium.

The sound tech said that he had been waiting for the stage curtain to go up and the chairs and stands to be in place so he could set up the microphones for the rehearsal. He said he spent his time waiting in the sound booth and was too far away to see anything going on off stage.

Mr. Caldecott then walked me backstage so I could talk to the custodian.

The custodian was a short bald-headed old guy with a pasty face, red nose, and scraps of hair for a mustache. His uniform name patch said “Charlie.”

“Charlie, I’m a detective investigating what happened yesterday before rehearsal.” I didn’t mention my name. I didn’t want my relationship with Dutch brought into the matter.

“A detective, heh? Say, don’t you guys wear trench coats and fedoras?”

“Yeah, when we’re playing a part. But I’m not playing anything right now. Someone received a serious blow to the face.”

I ask them to show me where it happened.” I follow them to stage left.

“Mr. Caldecott said the curtain was down yesterday. He asked you to raise it. He also said that it took an hour before it was raised. Isn’t that right Mr. Caldecott?”

“Yes, detective.”

“Well, Charlie, what took so long?”

“The curtain was down and that pulley you’re looking at had broken loose from the floor boards. So, I had to bolt it down to lift the curtain for the rehearsal. You can see the new bolts.”

I tell Mr. Caldecott that I need the curtain lowered to inspect it. He goes to move some things on stage before the curtain can be lowered.

The stage curtain down, I find graze marks in the fabric. And specks of blood. On the other side of the location of the scuff marks are more scuff marks. Directly below is the remounted curtain pulley.

“Was the pulley loose when the guy got clobbered?”

“Yes, detective.”

“So, anyone could have come along and swung it into Mr. Winder’s face?”

“I suppose that’s possible.”

“Don’t touch the pulley.”

I call the station and ask Ted to come right over. I want him to dust the pulley for fingerprints and to swab the blood on the curtain.

“Where were you when the trumpet player got clobbered?”

“Well, let’s see . . . I . . . I was looking for wood screws to tie down the pulley. Is that all detective?”

“Yeah, for now.” There were some loose ends that needed tying up.

“Mr. Caldecott, you said someone came and told you what had happened to the Principal Trumpet. Who was that?”

He gives me Nelia Swan’s phone number and address. I call her and tell her that I’m on my way over to talk.

I arrive at Ms. Swan’s flat and she invites me in. She offers me some Mariage Frères tea. I tell her a cup of café noir would be great.

“What?”

“A cup of joe.”

“Sorry detective. I don’t have coffee.”

“I’ll live.”

I move the cat from the arm chair and sit down.

I ask Nelia about what happened at the rehearsal.

“Dutch and I arrived early. We were off stage warming up. We were waiting for the stage curtain to go up so chairs could be set up on the stage.”

“Where was Dutch?”

“Dutch was standing near the stage entrance playing intervals.”

“Where were you?”

“I was further off stage warming up.”

“Did you see what happened?”

“One minute Dutch was standing there and the next he was on the floor. I didn’t see him get hit in the mouth. I don’t know how that could happen.”

“Did you see anyone behind the curtain? Did you hear someone call his name?”

“No. I put my horn down to help Dutch.”

“Is there anyone who has a grudge against Dutch?”

“No. I can’t think of anyone. He’s liked by everyone.”

“He was hit right in the kisser. Anyone want him out as Principal Trumpet?”

“We’re all professionals here, detective. If a person wanted to move up in the orchestra, he or she would have to audition for that spot, but only if it is vacated by a musician who leaves the orchestra.”

“So, if Dutch was out another trumpet player could audition for his spot?”

“Yes.”

“Who is second chair trumpet?’

“His name is Mark . . . Mark Jacobson.”

I thank Nelia and make my way back to the station to do some paperwork and call the orchestra manager. I ask for Mark Jacobson’s phone number. I need to talk to him.

I call Mr. Jacobson and ask him to come to the station. He was more than a little flustered. He was practicing for the Haydn and didn’t want be bothered. I told him I’d come over.

I drove over to Jacobson’s place.

“Mr. Jacobson, I’m a detective investigating what happened yesterday before rehearsal.”

“What the hell! I shouldn’t be bothered right now. I have to play the Haydn tomorrow night!”

I reminded him why he was playing the Haydn. He softened a bit. “That’s too bad. Dutch didn’t deserve that.” Then, he whiplashed back. “I deserve a chance to be Principal Trumpet. Tomorrow is my chance. If it goes well, I’ll be the Principal Trumpet of the Center City Symphony!”

“Where were you when Dutch was assaulted, Mr. Jacobson?”

“Assaulted? What? How do you figure?”

“I figure that stage curtains don’t attack people.”

“The man had a habit of annoying people.”

“That’s not what I heard.”

“Well, you didn’t sit next to him for ten years.”

“Dutch is my brother. He annoyed me alright and I annoyed him back. That’s what brothers do. Did Dutch annoy you and you wanted to punch him in the face?”

“C’mon. I’m a professional. I need to get back to my performance.”

“Where were you when Dutch was assaulted, Mr. Jacobson?”

“I was on my way to the rehearsal.”

I left Mr. Jacobson to his Haydn.

Driving back to the station I thought about our conversation. Mr. Jacobson was certainly annoyed by me. He had a short fuse. Was it due to stress about playing the Haydn? Did he have anger issues? Did he resent Dutch being Principal Trumpet and decide to take the chair out from under him?

I would question him again, after his performance. In the meantime, I would check on Dutch.

Diane met me at the door.

“He’s sleeping now, Roy. He’s scheduled for dental implants next week. The conductor was here about an hour ago. He said he would tell the subscribers that Dutch had taken ill and needed some time off.”

I asked Diane if she knew the second trumpet Mr. Jacobson.

“I know Mark. He was in the high school band and orchestra with me and Dutch.”

“The three of you have known each other since high school?”

“Yes. And after high school the three of us played in the civic orchestra before being accepted in the symphony orchestra.”

“If I recall, you played the French horn?”

“Yes. But with three kids I had to leave the orchestra and stay home.”

“Did Mark have any issues with Dutch back then?

“Dutch was first chair trumpet during high school. Mark challenged him a few times for the chair. But he was never able to get it. Dutch was too good.”

“Challenged?”

“In high school band and orchestra, a player could challenge a higher ranked player for their chair. The director would set up a music test, listen to both and decide who gets what chair. That doesn’t happen in professional orchestras. You audition when you first come in and then sit where you are told to sit.”

“So, Mark might have resented Dutch’s ability?

“He really wanted first chair. But then he became first chair trumpet when Dutch and I had to leave high school. I became pregnant with Celeste.”

“I see. Anything else about Mr. Jacobson?”

“I was told at the time that Mark had a crush on me. Maybe he thought I was looking at him when I was looking over at Dutch. Do you think Mark did this to Dutch?

“I think I need to have another conversation with Mr. Jacobson.”

~~~

Sunday morning, around nine, I drive over to Mr. Jacobson’s place.

He invites me in. I ask about the Haydn.

“It went very well. My improvised cadenza would have been better if I had more time to prepare, but the audience liked my performance.”

“Say, Mr. Jacobson. How badly do you want first chair?”

“I don’t like your manner.”

“Yeah. I get that a lot in this business. Listen Mr. Jacobson, I know you were in competition with Dutch in high school.”

“Yeah. So what. I have ambition like the next guy.”

“I’ve been a copper long enough to see ambition and improvisation go together like Bonnie & Clyde.”

“Oh, c’mon. Sure. I was a bit jealous of Dutch, his talent, but I would never harm him. I wanted the chair honestly. I have another performance this afternoon, so I really must ask you to leave.”

I left Mr. Jacobson to his Haydn. I didn’t tell him that I had attended Saturday night’s performance.

As I sat in the balcony waiting for the conductor to walk on stage, I read the program notes. I learned about concertos.

A concerto, the program said, features a soloist engaged in an elaborate conversation with an orchestra. A solo instrument is set off against an orchestral ensemble by alternation, competition, and combination. Concertos typically contain three movements, the first and last of which are usually quick-paced, with a slower tempo for the middle movement.

This case has the elements of a concerto. Someone was set off against the orchestral ensemble that included Dutch as Principal Trumpet. The case has moved past the first movement – Allegro – when Dutch was clobbered to the second movement – Andante – which now is slowly unwinding the whodunnit. I’m looking forward to the final movement – Allegro – when everything comes rushing together and I blow the whistle on someone.

After the Saturday evening performance, I learned even more.

I stuck around to see Mark and Nelia get very chummy. They left the Arts Center together. I followed them to a wine bar over on Third Street. They shared some drinks, kissed, and talked for two hours. They left around eleven and drove to Nelia’s place. Mark stayed overnight and left around eight in the morning.

I didn’t press Mr. Jacobson on his relationship with Ms. Swan this morning. I wanted to talk to Ms. Swan first.

After leaving Jacobson’s place, I drove over to Ms. Swan’s flat. I knocked and she invited me in.

“Oh, detective. If I knew you were coming I would’ve bought some coffee. I was just making some tea.”

“You might need something stronger.” I cleared my throat.

“Huh?”

“No thanks on the tea.”

I walk into her living room, move the cat out of the chair, and sit down. On the lamp table was a framed photo.

“Say, this photo wasn’t here yesterday.”

“Mark gave it to me last night. That was taken in the Bahamas last summer. That’s where Mark proposed to me.” She showed me the engagement ring.

“You didn’t mention your relationship with Mark the last time I was here. Why?”

“I didn’t think it had anything to do with what happened to Dutch. Besides, Mark wouldn’t hurt a flea.”

“He comes across as a bit on edge.”

“Yeah, lately he’s been pushing himself. Trying out with different orchestra for the Principal Trumpet chair. He wants to make more so we have enough to pay for a traditional wedding. My parents are divorced and they don’t have money and we’re both still paying off student loans.”

I got up to look at the photos on the side table.

“This guy looks familiar.”

“That’s my father.”

“Isn’t he the custodian at the arts center?”

“Yes.”

The third movement was about to begin. I left Ms. Swan and drove over to the Arts Center to have a talk with the custodian. No doubt his fingerprints are all over that pulley.

~~~

Over at the Arts Center I meet with the building’s manager Mr. Fairmont. I have him show me to the custodian’s office.

Inside the cramped room is a small desk with chair, two file cabinets, a bulletin board with the orchestra’s schedule, a sleeping bag, a hotplate, cans of soup and baked beans, a bag of tools, and a duffel bag stuffed with clothes.

A bottle of Mad Dog is in the top drawer of the file cabinet with some Dime Detective Magazines and a dog-eared copy of Mickey Spillane’s Kiss Me, Deadly.

On the desk is a photo of Mr. Swan and his daughter Nelia.

“What’s all this?” The custodian came in.

“Well, look what crawled out from behind the curtain.”

“Hey, this is for employees only, detective.”

“I am employed, Charlie. Have a seat.”

“Now Mr. Swan, I want you to help me sort out a few things.”

“Yes. How can I help?”

“The day of the attack on Mr. Winder, the pulley was loose from the floor, wasn’t it Mr. Swan?”

“Attack? Why do you say he was attacked? Who would do such a thing?”

“Someone playing musical chairs.”

“What? The pulley had come loose from the floor boards. I had to get the curtain raised.”

“Your daughter is planning on marrying Mr. Mark Jacobson, is that correct?”

“Yes.”

“Are you all in on that marriage.”

“Why yes, I am. Where you going with all this?”

“I did some digging and found out that the pay scale is the same for all section players and that principals make more. Stands to reason that with Principal Trumpet Mr. Winder out of the way, your daughter’s fiancé would get the chair, get more pay, and then marry your daughter”

“If you say so.”

“I do and so does the logic.”

“I did some more digging and found out that you like to drink and gamble and that’s how you lost your wife and your house. You are now living here. Isn’t that so, Mr. Swan?”

I looked over at the manager of the Arts Center.

“I had no idea that you were living here, Charlie.”

“I . . . I. “

“Did you daughter know that you lost your house and were living here?”

“No. No. No. I don’t want her to find out and worry about me. She doesn’t know about the house. We see each other here every time the orchestra plays.”

“With Mr. Jacobson coming into more pay and your daughter’s marriage you planned on living with them. Didn’t you Mr. Swan? You knew you couldn’t keep living here. Someone would find out.”

“Are you suggesting that I attacked Mr. Winder? Look. There were plenty of people around who could have socked the guy.”

“You had motive and opportunity. You were working on the pulley when this happened.”

“Oh, c’mon detective. I’m just an old guy down on my luck trying to get by.”

“I had a conversation with another old guy down on his so-called luck. You see, I lead AA meetings at a church two blocks from here. One of the men at the meeting told the group that he messed up and went back to his old hangout – Blake’s tavern a couple of blocks from here. He had a few with some old friends. One old friend, he told the group, was pounding drinks and talking crazy, saying that sometimes you have to take matters into your own hands and eliminate the competition to improve your situation. The guy saying all this to the group is your bar mate Sam.”

“Sam?”

“I talked to Sam this morning, Charlie. He agreed to tell the judge what you said, nothing more and nothing less. And, I talked to my forensics tech. He said that there is only one set of fingerprints on the pulley. If their yours, well . . .”

“Alright. Alright. I . . .I just wanted to sideline the guy for a bit to give Mark a chance in the spotlight. I thought the curtain would cushion the impact. And I figured the guy had disability insurance to cushion his income.”

You had all this figured out, didn’t you Mr. Swan?”

“I figured I was helping my daughter.”

“By swinging a pulley into some guy’s mouth, busting his chops and taking the chair out from under his livelihood to leverage a better living situation for yourself? Does your daughter know that you . . . pulleyed this off?

“No. No. No. She doesn’t and I don’t want her to know.”

“Too late for that Mr. Swan. It’s curtains for you. Come with me down to the station. I’m booking you for aggravated assault on Mr. Winder. You can call your daughter to have her bail you out.”

  ~~~

After Mr. Swan was booked into custody, I went over to see Dutch and Diane.

Dutch’s mug looked like he’d been in a hockey fight. I told them that it was the custodian Mr. Swan who swung the pulley. No one else was involved. I told them Swan’s motive. They were both shocked by the account.

Then I told Dutch what the orchestra manager told me: they’re passing the hat around so you can buy a new trumpet and some new teeth. I give Dutch a box of Good and Plenty and he gives me a smile that hurt both of us. I tell them that I have to take off.

“There’s a blue-eyed blond waiting for me with a steak covered in onions and Farewell, My Lovely.”

~~

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