Musical Chairs
June 15, 2026 Leave a comment
The calls come when I’m in the shower or in a dream. Tonight, a call interrupted someone with a buzzsaw chasing me down a dark alley.
“Roy, if you pick that up it stops making noise.”
“Huh? I love you, too, Laci. Put the buzzsaw down.”
“Roy, pick up that hum-buzzing thing.”
“Huh . . . Oh . . .Hello?”
My sister-in-law Diane was on the phone. She was in a state.
“Roy, it’s Dutch.”
“What’s happened?”
“Dutch hasn’t come home from yesterday’s rehearsal,” her voice broke. “I called and called and when he finally picked up, he sounded drunk, incoherent.”
“Where is he now?”
“I don’t . . .wait . . .he’s walking in the door right now . . . Oh no! I see why he sounded like that. You should see for yourself.”
I told her I would come right over.
“Roy, what is it?”
“Diane says something happened to Dutch.”
I kiss Laci, get dressed, and head over to my brother’s place.
My older brother Dutch plays trumpet for Center City Symphony Orchestra. He auditioned for the group fifteen years ago and was appointed Principal Trumpet chair. I went in a different musical direction. I blow the whistle on the bad guys as lead detective for Center City.
I arrive at my brother’s house and go inside. Diane, teary eyed, runs up to me.
“Look what they did to him, Roy.”
“Who?” I walk into the living room.
“Someone . . . someone did this to him.”
Dutch was sitting in an arm chair holding an ice pack on his face. His eyes were glazed over. I ask to look at the damage.
His nose and mouth were bloodied. He had a fat lip and two front teeth had been knocked out. Not good for someone who makes a living with serious chops.
“You won’t need stitches, Dutch, but you’ll a need couple of teeth.
“And, he’ll need months to recover his embouchure!” Diane sobbed.
Dutch coughed spitting out blood. “I wasssupposed to play the Haydn Trumpet Concerto homorrow night.”
“Who did this to you, Dutch?”
“Hats just it,” Dutch moaned, “I dunnooo. I wasss backssstage with my horn and sssomeone called my name. I turned and whhaamm ha stage curtain hit me. I fell back and hit my hhhead.”
“Stage curtain?”
“Like a cannonbawll.”
“Did anyone see what happened?”
“I dunnooo,” he gulped. “Whhhen I came to my hhhead hurrd my mouth hurrd and my trumpet bell was smashed.
Diane brought another bag of ice and a shot of bourbon.
“Roy, they took him to the emergency room and kept him there for observation. They were worried about a concussion. Dutch said that the orchestra manager was there fretting about him not being able to play and the Center manager was there fretting about liability. I should have been there fretting over Dutch.”
I told them that I would go to the Arts Center later that morning to investigate. Before I left, I almost told Dutch to keep a stiff upper lip. But he was in no mood for kidding.
“Roy, find out wahhappened. Will ya?”
I promised I would.
~~~
After a couple of hours of sleep and a cup of black coffee with my best girl, I drive over to Central City Performing Arts Center to meet with the orchestra manager. It looked to be a long wet Friday. I needed something to offset the feeling I had in my gut. I stop and buy a couple of boxes of Good and Plenty.
Over at the Center, I introduce myself to the bowtied Mr. Caldecott. I ask about yesterday’s rehearsal.
“Well Detective, I arrived at noon yesterday to set up the chairs, stands, and music for the afternoon rehearsal. But the stage curtain was still down from the previous theater performance, so nothing could be placed. I went and asked the Center’s custodian to raise the curtain. An hour later the curtain was raised and then someone told me that our Principal Trumpet had been injured.”
“When exactly did the curtain go up?”
“The curtain didn’t go up until two. So, rehearsal started at three-thirty, not the usual three.”
“When do the orchestra members show up”
“Usually, it’s an hour before rehearsal begins. They warm up and review the music.”
Mr. Caldecott then informed me that only the sound technician and the custodian were around when he arrived yesterday. He walked me over to the sound booth at the back of the auditorium.
The sound tech said that he had been waiting for the stage curtain to go up and the chairs and stands to be in place so he could set up the microphones for the rehearsal. He said he spent his time waiting in the sound booth and was too far away to see anything going on off stage.
Mr. Caldecott then walked me backstage so I could talk to the custodian.
The custodian was a short bald-headed old guy with a pasty face, red nose, and scraps of hair for a mustache. His uniform name patch said “Charlie.”
“Charlie, I’m a detective investigating what happened yesterday before rehearsal.” I didn’t mention my name. I didn’t want my relationship with Dutch brought into the matter.
“A detective, heh? Say, don’t you guys wear trench coats and fedoras?”
“Yeah, when we’re playing a part. But I’m not playing anything right now. Someone received a serious blow to the face.”
I ask them to show me where it happened.” I follow them to stage left.
“Mr. Caldecott said the curtain was down yesterday. He asked you to raise it. He also said that it took an hour before it was raised. Isn’t that right Mr. Caldecott?”
“Yes, detective.”
“Well, Charlie, what took so long?”
“The curtain was down and that pulley you’re looking at had broken loose from the floor boards. So, I had to bolt it down to lift the curtain for the rehearsal. You can see the new bolts.”
I tell Mr. Caldecott that I need the curtain lowered to inspect it. He goes to move some things on stage before the curtain can be lowered.
The stage curtain down, I find graze marks in the fabric. And specks of blood. On the other side of the location of the scuff marks are more scuff marks. Directly below is the remounted curtain pulley.
“Was the pulley loose when the guy got clobbered?”
“Yes, detective.”
“So, anyone could have come along and swung it into Mr. Winder’s face?”
“I suppose that’s possible.”
“Don’t touch the pulley.”
I call the station and ask Ted to come right over. I want him to dust the pulley for fingerprints and to swab the blood on the curtain.
“Where were you when the trumpet player got clobbered?”
“Well, let’s see . . . I . . . I was looking for wood screws to tie down the pulley. Is that all detective?”
“Yeah, for now.” There were some loose ends that needed tying up.
“Mr. Caldecott, you said someone came and told you what had happened to the Principal Trumpet. Who was that?”
He gives me Nelia Swan’s phone number and address. I call her and tell her that I’m on my way over to talk.
I arrive at Ms. Swan’s flat and she invites me in. She offers me some Mariage Frères tea. I tell her a cup of café noir would be great.
“What?”
“A cup of joe.”
“Sorry detective. I don’t have coffee.”
“I’ll live.”
I move the cat from the arm chair and sit down.
I ask Nelia about what happened at the rehearsal.
“Dutch and I arrived early. We were off stage warming up. We were waiting for the stage curtain to go up so chairs could be set up on the stage.”
“Where was Dutch?”
“Dutch was standing near the stage entrance playing intervals.”
“Where were you?”
“I was further off stage warming up.”
“Did you see what happened?”
“One minute Dutch was standing there and the next he was on the floor. I didn’t see him get hit in the mouth. I don’t know how that could happen.”
“Did you see anyone behind the curtain? Did you hear someone call his name?”
“No. I put my horn down to help Dutch.”
“Is there anyone who has a grudge against Dutch?”
“No. I can’t think of anyone. He’s liked by everyone.”
“He was hit right in the kisser. Anyone want him out as Principal Trumpet?”
“We’re all professionals here, detective. If a person wanted to move up in the orchestra, he or she would have to audition for that spot, but only if it is vacated by a musician who leaves the orchestra.”
“So, if Dutch was out another trumpet player could audition for his spot?”
“Yes.”
“Who is second chair trumpet?’
“His name is Mark . . . Mark Jacobson.”
I thank Nelia and make my way back to the station to do some paperwork and call the orchestra manager. I ask for Mark Jacobson’s phone number. I need to talk to him.
I call Mr. Jacobson and ask him to come to the station. He was more than a little flustered. He was practicing for the Haydn and didn’t want be bothered. I told him I’d come over.
I drove over to Jacobson’s place.
“Mr. Jacobson, I’m a detective investigating what happened yesterday before rehearsal.”
“What the hell! I shouldn’t be bothered right now. I have to play the Haydn tomorrow night!”
I reminded him why he was playing the Haydn. He softened a bit. “That’s too bad. Dutch didn’t deserve that.” Then, he whiplashed back. “I deserve a chance to be Principal Trumpet. Tomorrow is my chance. If it goes well, I’ll be the Principal Trumpet of the Center City Symphony!”
“Where were you when Dutch was assaulted, Mr. Jacobson?”
“Assaulted? What? How do you figure?”
“I figure that stage curtains don’t attack people.”
“The man had a habit of annoying people.”
“That’s not what I heard.”
“Well, you didn’t sit next to him for ten years.”
“Dutch is my brother. He annoyed me alright and I annoyed him back. That’s what brothers do. Did Dutch annoy you and you wanted to punch him in the face?”
“C’mon. I’m a professional. I need to get back to my performance.”
“Where were you when Dutch was assaulted, Mr. Jacobson?”
“I was on my way to the rehearsal.”
I left Mr. Jacobson to his Haydn.
Driving back to the station I thought about our conversation. Mr. Jacobson was certainly annoyed by me. He had a short fuse. Was it due to stress about playing the Haydn? Did he have anger issues? Did he resent Dutch being Principal Trumpet and decide to take the chair out from under him?
I would question him again, after his performance. In the meantime, I would check on Dutch.
Diane met me at the door.
“He’s sleeping now, Roy. He’s scheduled for dental implants next week. The conductor was here about an hour ago. He said he would tell the subscribers that Dutch had taken ill and needed some time off.”
I asked Diane if she knew the second trumpet Mr. Jacobson.
“I know Mark. He was in the high school band and orchestra with me and Dutch.”
“The three of you have known each other since high school?”
“Yes. And after high school the three of us played in the civic orchestra before being accepted in the symphony orchestra.”
“If I recall, you played the French horn?”
“Yes. But with three kids I had to leave the orchestra and stay home.”
“Did Mark have any issues with Dutch back then?
“Dutch was first chair trumpet during high school. Mark challenged him a few times for the chair. But he was never able to get it. Dutch was too good.”
“Challenged?”
“In high school band and orchestra, a player could challenge a higher ranked player for their chair. The director would set up a music test, listen to both and decide who gets what chair. That doesn’t happen in professional orchestras. You audition when you first come in and then sit where you are told to sit.”
“So, Mark might have resented Dutch’s ability?
“He really wanted first chair. But then he became first chair trumpet when Dutch and I had to leave high school. I became pregnant with Celeste.”
“I see. Anything else about Mr. Jacobson?”
“I was told at the time that Mark had a crush on me. Maybe he thought I was looking at him when I was looking over at Dutch. Do you think Mark did this to Dutch?
“I think I need to have another conversation with Mr. Jacobson.”
~~~
Sunday morning, around nine, I drive over to Mr. Jacobson’s place.
He invites me in. I ask about the Haydn.
“It went very well. My improvised cadenza would have been better if I had more time to prepare, but the audience liked my performance.”
“Say, Mr. Jacobson. How badly do you want first chair?”
“I don’t like your manner.”
“Yeah. I get that a lot in this business. Listen Mr. Jacobson, I know you were in competition with Dutch in high school.”
“Yeah. So what. I have ambition like the next guy.”
“I’ve been a copper long enough to see ambition and improvisation go together like Bonnie & Clyde.”
“Oh, c’mon. Sure. I was a bit jealous of Dutch, his talent, but I would never harm him. I wanted the chair honestly. I have another performance this afternoon, so I really must ask you to leave.”
I left Mr. Jacobson to his Haydn. I didn’t tell him that I had attended Saturday night’s performance.
As I sat in the balcony waiting for the conductor to walk on stage, I read the program notes. I learned about concertos.
A concerto, the program said, features a soloist engaged in an elaborate conversation with an orchestra. A solo instrument is set off against an orchestral ensemble by alternation, competition, and combination. Concertos typically contain three movements, the first and last of which are usually quick-paced, with a slower tempo for the middle movement.
This case has the elements of a concerto. Someone was set off against the orchestral ensemble that included Dutch as Principal Trumpet. The case has moved past the first movement – Allegro – when Dutch was clobbered to the second movement – Andante – which now is slowly unwinding the whodunnit. I’m looking forward to the final movement – Allegro – when everything comes rushing together and I blow the whistle on someone.
After the Saturday evening performance, I learned even more.
I stuck around to see Mark and Nelia get very chummy. They left the Arts Center together. I followed them to a wine bar over on Third Street. They shared some drinks, kissed, and talked for two hours. They left around eleven and drove to Nelia’s place. Mark stayed overnight and left around eight in the morning.
I didn’t press Mr. Jacobson on his relationship with Ms. Swan this morning. I wanted to talk to Ms. Swan first.
After leaving Jacobson’s place, I drove over to Ms. Swan’s flat. I knocked and she invited me in.
“Oh, detective. If I knew you were coming I would’ve bought some coffee. I was just making some tea.”
“You might need something stronger.” I cleared my throat.
“Huh?”
“No thanks on the tea.”
I walk into her living room, move the cat out of the chair, and sit down. On the lamp table was a framed photo.
“Say, this photo wasn’t here yesterday.”
“Mark gave it to me last night. That was taken in the Bahamas last summer. That’s where Mark proposed to me.” She showed me the engagement ring.
“You didn’t mention your relationship with Mark the last time I was here. Why?”
“I didn’t think it had anything to do with what happened to Dutch. Besides, Mark wouldn’t hurt a flea.”
“He comes across as a bit on edge.”
“Yeah, lately he’s been pushing himself. Trying out with different orchestra for the Principal Trumpet chair. He wants to make more so we have enough to pay for a traditional wedding. My parents are divorced and they don’t have money and we’re both still paying off student loans.”
I got up to look at the photos on the side table.
“This guy looks familiar.”
“That’s my father.”
“Isn’t he the custodian at the arts center?”
“Yes.”
The third movement was about to begin. I left Ms. Swan and drove over to the Arts Center to have a talk with the custodian. No doubt his fingerprints are all over that pulley.
~~~
Over at the Arts Center I meet with the building’s manager Mr. Fairmont. I have him show me to the custodian’s office.
Inside the cramped room is a small desk with chair, two file cabinets, a bulletin board with the orchestra’s schedule, a sleeping bag, a hotplate, cans of soup and baked beans, a bag of tools, and a duffel bag stuffed with clothes.
A bottle of Mad Dog is in the top drawer of the file cabinet with some Dime Detective Magazines and a dog-eared copy of Mickey Spillane’s Kiss Me, Deadly.
On the desk is a photo of Mr. Swan and his daughter Nelia.
“What’s all this?” The custodian came in.
“Well, look what crawled out from behind the curtain.”
“Hey, this is for employees only, detective.”
“I am employed, Charlie. Have a seat.”
“Now Mr. Swan, I want you to help me sort out a few things.”
“Yes. How can I help?”
“The day of the attack on Mr. Winder, the pulley was loose from the floor, wasn’t it Mr. Swan?”
“Attack? Why do you say he was attacked? Who would do such a thing?”
“Someone playing musical chairs.”
“What? The pulley had come loose from the floor boards. I had to get the curtain raised.”
“Your daughter is planning on marrying Mr. Mark Jacobson, is that correct?”
“Yes.”
“Are you all in on that marriage.”
“Why yes, I am. Where you going with all this?”
“I did some digging and found out that the pay scale is the same for all section players and that principals make more. Stands to reason that with Principal Trumpet Mr. Winder out of the way, your daughter’s fiancé would get the chair, get more pay, and then marry your daughter”
“If you say so.”
“I do and so does the logic.”
“I did some more digging and found out that you like to drink and gamble and that’s how you lost your wife and your house. You are now living here. Isn’t that so, Mr. Swan?”
I looked over at the manager of the Arts Center.
“I had no idea that you were living here, Charlie.”
“I . . . I. “
“Did you daughter know that you lost your house and were living here?”
“No. No. No. I don’t want her to find out and worry about me. She doesn’t know about the house. We see each other here every time the orchestra plays.”
“With Mr. Jacobson coming into more pay and your daughter’s marriage you planned on living with them. Didn’t you Mr. Swan? You knew you couldn’t keep living here. Someone would find out.”
“Are you suggesting that I attacked Mr. Winder? Look. There were plenty of people around who could have socked the guy.”
“You had motive and opportunity. You were working on the pulley when this happened.”
“Oh, c’mon detective. I’m just an old guy down on my luck trying to get by.”
“I had a conversation with another old guy down on his so-called luck. You see, I lead AA meetings at a church two blocks from here. One of the men at the meeting told the group that he messed up and went back to his old hangout – Blake’s tavern a couple of blocks from here. He had a few with some old friends. One old friend, he told the group, was pounding drinks and talking crazy, saying that sometimes you have to take matters into your own hands and eliminate the competition to improve your situation. The guy saying all this to the group is your bar mate Sam.”
“Sam?”
“I talked to Sam this morning, Charlie. He agreed to tell the judge what you said, nothing more and nothing less. And, I talked to my forensics tech. He said that there is only one set of fingerprints on the pulley. If their yours, well . . .”
“Alright. Alright. I . . .I just wanted to sideline the guy for a bit to give Mark a chance in the spotlight. I thought the curtain would cushion the impact. And I figured the guy had disability insurance to cushion his income.”
You had all this figured out, didn’t you Mr. Swan?”
“I figured I was helping my daughter.”
“By swinging a pulley into some guy’s mouth, busting his chops and taking the chair out from under his livelihood to leverage a better living situation for yourself? Does your daughter know that you . . . pulleyed this off?
“No. No. No. She doesn’t and I don’t want her to know.”
“Too late for that Mr. Swan. It’s curtains for you. Come with me down to the station. I’m booking you for aggravated assault on Mr. Winder. You can call your daughter to have her bail you out.”
~~~
After Mr. Swan was booked into custody, I went over to see Dutch and Diane.
Dutch’s mug looked like he’d been in a hockey fight. I told them that it was the custodian Mr. Swan who swung the pulley. No one else was involved. I told them Swan’s motive. They were both shocked by the account.
Then I told Dutch what the orchestra manager told me: they’re passing the hat around so you can buy a new trumpet and some new teeth. I give Dutch a box of Good and Plenty and he gives me a smile that hurt both of us. I tell them that I have to take off.
“There’s a blue-eyed blond waiting for me with a steak covered in onions and Farewell, My Lovely.”
~~
©J.A. Johnson, Kingdom Venturers, 2026, All Rights Reserved






As the World Turns
May 30, 2021 Leave a comment
The made-for-TV melodrama General Fauci has aired for a year and a half. Its storyline of a global pandemic, mimicking the fantasy narratives of the “We’re-all-gonna-die-unless-somebody-from-science-saves us” pandemic movies of recent years, has a twist. Instead of the pandemic creating zombies, the pandemic mitigation methods – masks and vaccines – creates zombies.
The main character of General Fauci is scripted as the main character of pandemic policy for the nation. His background in funding gain-of-function research and of telling people what to do is the basis for his moral high ground authority. Entire episodes are viewed through the eyes of the main character.
The doctor believes that he can bring about a Great Reset of humanity if only people would do what he says. The supporting cast, media and other hand-wringing types, is an approving Greek chorus. But the audience is kept guessing as to what the doctor is saying, as noble lies come out of both sides of his mouth.
Each daily soap episode presents the same cast of grim-Woke actors and the same set and props. Each daily soap episode is designed to play on emotions to gain viewership. Each episode is a storyline to be continued to gain repeat viewers.
A subplot of the General Fauci soap was added last November: insurrectionists install a feeble-minded puppet dictator in the White House. The Great Reset of humanity is placed in his hands.
Before General Fauci aired, a Washington-based Dark Shadows style soap production aired for over a year. All My Collusions depicted the creepy, campy, and cultish world of psychotic Democrats.
Now, after a year and a half airing of the tedious General Fauci, viewer’s questions arise: “When does it end?” and “Is there more to life than meets the media eye?”
In answer to viewer’s first question, the word on the street is that a new soap opera is in the offing. As the General Fauci series winds down, another melodrama will replace it: a climate justice series called “The Days of Our Earth”
The new soap will present the daily ordeals and hardships of Mother Earth as she deals with the effects of climate change. Fearing the immediate end of the earth, Dark Green religionists join the Build Back Better Brotherhood to save Mother Earth by ridding her of excess carbon-based humans. Script writers have been working on the soap for several years.
*****
Fluff. Ubiquitous fluff. Cheerios for breakfast. Disneyland for vacation and TV productions for 24 hour-a-day viewing. Fabrications of fluff abound in art, architecture, and cinema. Because of fluff’s pervasive immediacy, you may not have noticed that it is a replacement of what is real. Fantasy objects are the substitute. These offer a quick detachment from reality and immediate gratification as real emotions become involved.
As people subject their healthy truth-seeking imaginations to today’s pandemic of fantasy, more and more fluff is required to be injected into their minds. This past year we’ve seen that political correctness and scientism abhor a vacuum. Both have gone wherever people let it in. And, so has Marxism.
Now under the cover of the “Build Back Better” (BBB) promotion, Marxism proposes, using historical materialism as its determinant, salvation via a collective will. We are to believe that through BBB, man will have the ability to perfect himself. And, that BBB will overcome the world’s ills: pain, suffering, poverty, conflict and sadness. And that the earth will be saved from mankind. And through BBB, technology will produce a transhuman man who will be immortal – basically, a nihilist who’s all fluff for all time.
Despite its almost universal marketing by college and university professors and by the “Build Back Better” political harpies, Marxism is a dangerous fantasy drug. Those who take Marxism into their lives will feel a sense of security and power at first. But they will soon come to feel great loss and emptiness. For, the Marxism addicted are injecting the fluff of nihilism into their system.
Polish philosopher and historian Leszek Kolakowski, called a “thinker for our time” by philosopher Roger Scruton, was exiled from Poland in 1968 for his criticism of Marxism and Communism. He had firsthand knowledge of the fantastical machinations of Marxist ideology. Consider the following passage from his 1976 essay On the So-Called Crisis of Christianity:
Christianity is thus the awareness of our weakness and misery, and it useless to argue that there exists or could exist a “Promethean Christianity,” that is, that Christian faith could be reconciled with hope for self-salvation. Two great ideas of the nineteenth century which, despite all that separates them, perfectly embodied this Promethean expectation –those of Marx and of Nietzsche – were anti-Christian in their roots, and not as a result of accidental historical circumstances. Nietzsche’s’ hatred of Christianity and of Jesus was a natural consequence of his belief in the unlimited possibility of mankind’s self-creation. Nietzsche knew that Christianity is the awareness of our weakness., and he was right. Marx knew this too, and from the young Hegelians, he took over and transformed the philosophy (more Fichtean than Hegelian) of self-creation and futuristic orientation. He came to believe that the collective Prometheus of the future would reach a state in which his thought and action would be indistinguishable and in which even “atheism” would lose its reason for existence, since people’s self-affirmation would be entirely “positive”, not negatively dependent on the negation of God.
*****
To answer the soap viewer’s second question “Is there more to life than meets the media eye?” we must look elsewhere. . .
Have a good look at the birds in the sky. They don’t plant seeds, they don’t bring in the harvest, they don’t store things in barns – and your father in heaven feeds them! Think how different you are from them! Can any of you add fifteen inches to your height just by worrying about it?
And why worry about what to wear? Take a tip from the lilies in the countryside. They don’t work; they don’t weave; but let me tell you, not even Solomon in all his finery was dressed as well as one of these. So if God gives that sort of clothing even to the grass in the field, which is here today and on the bonfire tomorrow, isn’t he more likely to clothe you too, you little-faith lot?
So don’t worry away with your ‘What’ll we eat?’ and ‘What’ll we drink?’ and ‘What’ll we wear?’ Those are all the things the Gentiles fuss about, and your heavenly father knows you need them all. Instead, make your top priority God’s kingdom and his way of life, and all these things will be given to you as well.
So don’t worry about tomorrow. Tomorrow can worry about itself. One days’ trouble at a time is quite enough. (Matt. 6:26-34)
Long before the melodrama of General Fauci, long before “emergency use” vaccines, and long before historical materialism’s death toll of millions, the Son of Man walked 30-some years in an unsanitary disease-filled world. All manner of health threats – smallpox, parasitic infections, malaria, anthrax, pneumonia, tuberculosis, polio, skin diseases including leprosy, head lice, scabies and more – existed in the first century.
Jesus was fully aware of the pain, suffering and groaning of his creation. He was fully aware of the reality that people were dealing with. He knew that many people of that time had only the bare necessities. Many lived hand-to-mouth. What did Jesus offer when he saw the growing crowds and went up the hillside, sat down, took a deep breath and began to teach them? (Matt. 5:1-2)
Jesus did not offer vain words and soap operas to play on emotions. He didn’t paint people as victims. He didn’t peddle ideology. He didn’t offer the Power of Positive Thinking. He didn’t offer critical theory. He didn’t offer diversity, equity and inclusion training. He didn’t pander for their attention with talk about skin color or gender or sexual preference. He didn’t offer collective Promethean self-salvation.
Jesus didn’t tell the crowds to rise up as one collective will to revolt and destroy what is and build a socio-economic system to produce the outcomes they desired. No.
What did Jesus offer? Jesus offered the kingdom of God – a physical-spiritual reality that Marxism denies. He offered a new Torah that fulfilled the old Torah. He offered a change of focus. Outsiders are now insiders. The first will be last. Washing feet, and not stepping on feet to get ahead, is the kingdom way.
Jesus spoke in terms of individual human agency. He said that his followers would be blessed if they acted in the ways he described. They would know the happiness and joy of life in the kingdom of God (not available under Marxism (cf. Psalm 4: 7)).
He offered awareness of reality from the perspective of a shepherd caring for his sheep. Jesus’ hillside discourse is found in the gospel according to Matthew (Matt. 5, 6 & 7). The first verse of Matthew’s gospel records that Jesus is a descendent of David, a shepherd who became king.
As we read in the Matthew passage above, Jesus offered the world as it turns – a cosmology of Creator love and care. He pointed to aesthetic flora and forage-to-mouth fauna as empirical evidence of his Father’s love and care for the evolutionary creation he put in motion some 13.8 billion years before.
“When does the melodrama end?” It’s up to you. People believe what they want to the believe. Psalm 1 tells us that there are two paths that one could follow.
“Is there more to life than meets the media eye?” It’s depends on where you look. Psalm 103 relates a worldview of good – blessing and benefit, compassion and concern, and righteousness and redemption – as man relates to God.
As the world turns you may feel like you are in a dryer drum on an Air Fluff cycle. In such a state you easily become discombobulated and distressed. You will want to take to heart Psalm 4 – David’s plea for deliverance from fluff – vain words and lies – that disturbs his sleep.
Turn off the Air Fluff cycle and remove the lint from your life. Have a good look at the birds in the sky. Take a tip from the lilies in the countryside. The unchanging One who put the universe in motion, feeds the birds, and dresses lilies in lavish beauty will look after you as the world turns.
Every good gift and every perfect gift is from above, and cometh down from the Father of lights, with whom is no variableness, neither shadow of turning. James 1:17
*****
*****
*****
The following is not a soap opera. Pastor Artur Pawlowski was recently arrested by the Canadian Stasi for his staunch defiance of the pandemic lockdowns. Pastor Pawlowski conveys the reality of the self-salvation ideology of Marx, Nietzsche, and the collective Prometheus. He speaks of God’s salvation.
FROM COMMUNISM TO GOD
Pastor Art Pawlowski Tells His Life Story: From Communism to Man of God – Rebel News
*****
Keep these people and their needles away from your kids:
Day 110: The Same People Who Lied to You Over the Wuhan Lab Now Want You to Vaccinate Your Kids. (thenationalpulse.com)
Number of COVID Cases in Delhi Crashes After Mass Distribution of Ivermectin (humansarefree.com)
Keep these people and their pornography away from your kids:
Earth to Loudoun County — We have a problem… – CITIZEN FREE PRESS
*****
Call to action:
Actress Samaire Armstrong: “What’s coming down the road is so much bigger than this moment.”
Actress Armstrong Gives Powerful Call for Moms to Fight Back Against Filthy Disgusting Masks on Kids (rumble.com)
America’s Frontline Doctors Sue the Federal Government to Prevent Forcing Experimental COVID Vaccines on US Children (thegatewaypundit.com)
“Understand, you are agreeing to be in a medical study when you take any of the COVID-19 vaccines.”
PDF >>TEN MEDICAL FACTS REGARDING THE COVID-19 EXPERIMENTAL VACCINES
“{The AFLDS is] seeking temporary injunctive relief against any existing or further authorization for use in children under the age of 16, of any of the COVID-19 “vaccines”1 that have been approved under the Emergency Use Authorization (“EUA”) . . .”
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COVID Court:
Dr. Peter McCullough is an internist, cardiologist, epidemiologist, and Professor of Medicine at Texas A&M College of Medicine and he is warning against the Vaccine.
Facebook exposed in global effort to silence dangers about Vaccine.
Facebook Whistleblowers LEAK DOCS Detailing Effort to Secretly Censor Vax Concerns on Global Scale – YouTube
Mask Psychosis: NYT Confirms The Liberal Mask Cult Is Here to Stay – Revolver
commie lee jones on Twitter: “MIT researchers ‘infiltrated’ a Covid skeptics community a few months ago and found that skeptics place a high premium on data analysis and empiricism. “Most fundamentally, the groups we studied believe that science is a process, and not an institution.” https://t.co/jsoAG8G2VT https://t.co/CpEvCKz2HK” / Twitter
Model Stephanie Dubois Suffers Blood Clot, Dies Days After Getting COVID Shot (newsweek.com)
[Michigan] is working through a process to make permanent its workplace COVID-19 rules, enforced through the Michigan Occupational Safety and Health Administration.
Michigan’s push for permanent COVID-19 rules sparks battle with business leaders – mlive.com
Will the legal dept. save us from some COVID totalitarianism?
“The federal Occupational Safety and Health Administration (OSHA) has put employers on notice that should they attempt to require employees to receive injections of experimental COVID-19 gene-therapy vaccine a resulting adverse reaction will be considered “work-related” for which the employer may be held liable.”
Employers may be liable for ‘any adverse reaction’ from mandated coronavirus shots: OSHA | News | LifeSite (lifesitenews.com)
40 Million Fake Masks, 200,000 Counterfeit COVID Tests Seized. – The National Pulse
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A Story of Survival
Like humans, flowers inherit their appearance from genes. Pigments are “born” into these plants, producing a range of colors across the spectrum. The same chemical, carotenoid, that produces pigment in tomatoes and carrots, also produces yellow, red, or orange color in certain flowers. Another chemical, anthocyanin, is responsible for producing red, pink, blue, and purple-colored flower petals. While many people see these plants as purely decorative, flowers aren’t colorful just to be pretty – they need their color for survival.
Why Flowers Have Color (konicaminolta.us)
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The Manufacturing of a Mass Psychosis
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Image © Jennifer A. Johnson, 2021
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Filed under 2021 current events, Christianity, COVID-19, cultural Marxism, Culture, pandemic, Political Commentary, social commentary, socialism Tagged with Anthony Fauci, Christianity, COVID, culture, fantasy, Marxism, mental health, pandemic, Sermon on the Mount