Keep a Lid On It, Properly

You’ve already discovered this. The paper cup and plastic lid connection, that is.

You purchase a medium-sized coffee and the coffee-teer gives you a scalding hot brew in a paper cup. You quickly and carefully place a cardboard bootie on the cup so as to insulate your hand from third degree burns. But, no one tells you that you have to line up the plastic lid in a certain way so as to not allow searing droplets of forever staining brown stuff to fall from the mouth of the cup onto your finally clean and pressed khakis. In this case, you are on your own; you are up a creek without a stir stick. In coffee parlance:  da solo.

In my continuing search for Quality, Quality which embraces both the classical scientific method and classical romanticism, I have finally pushed through the internal ‘gumption traps’ that kept my coffee randomly escaping my coffee cup. I refused to answer the question with anger, anxiety, boredom and value rigidity. I hypothesized, tested and retested. I went for long walks. I took deep breaths. I meditated. Then, the answer came.

After much deliberate testing and much laid back intuition I found the answer to the leakage problem: Place the opening of the plastic lid on the mouth of the paper cup at 180 degrees from the seam of the paper cup.

In the past I had noticed that as the opening was placed closer to the seam, dribbling would occur, thereby forever making stains in random unwanted places on my clothes. But, with proper placement of the lid, dribbling is contained. The cup of coffee is then safely drunk in any attire including wedding gear and with gumption

Now, you’re on your own.

(with thanks to Phaedrus and Robert M. Pirsig)

What, No Government Assistance?! No Obamacare?!

This 107 year-old man should be a U.S. senator!

Keeping Time

Flipping through TV channels last night, I searched for a show that didn’t have a gun waving in it (If Jared Loughner had wanted a reference guide for his mayhem he had only to look at nightly TV programming given to us by Hollywood Left.). After a few minutes of (+) and (-) channeling, to my delight, I found a program about the Chicago Sinfonietta and its maestro Paul Freeman. I instantly perked up. The show set my metronome wagging. I love music, all kinds of music.

In short, the program related some of the history of the Sinfonietta and talked about the leaving of its founder Paul Freeman. Freeman, who founded the group in 1987, was someone who had met and spoke with Martin Luther King. This weekend the Chicago Sinfonietta is paying tribute to Martin Luther King, honoring King’s Dream: “I have a dream that one day this nation will rise up and live out the true meaning of its creed: ‘We hold these truths to be self-evident, that all men are created equal.” Since its inception, Freeman’s musical program plays out the words of King’s dream with a diverse group of musicians using an equally diverse musical library.

Freeman is retiring at the end of the 2011 season. He will be handing the baton to Mei-Ann Chen. She will be named the new Music Director. Mei-Ann Chen is someone Freeman has worked with. He deeply respects her talents and her desire to help others, especially through education.

The Chicago Sinfonietta as described by its blog home page: “the nation’s most diverse symphony orchestra, presents an exciting blend of musical and artistic genres. Mixing the Classical and Romantic repertoire with bold contemporary works, the Sinfonietta shatters traditional boundaries through its collaborations, creating synergies between classical, dance, theater and other musical styles including jazz, rock, and World music.

I was impressed by the diverse group of musicians, the expansive repertoire and their unbridled desire to teach music to young people. While watching the program, I could see myself, cycled back in time, being involved with the Chicago Sinfonietta. I saw myself playing in this orchestra. I have played trumpet since fourth grade.

Seeing the maestro Paul Freeman conducting the group also elicited memories of times when I would stand in front of my family’s stereo and conduct an invisible orchestra. I wanted more than anything else as a child to conduct music. I saw myself as a conduit through which music became alive to others as it had become alive to me

The first LP I ever purchased (and conducted) was Antonin Dvořák’s Symphony No. 9 in E Minor “From the New World“. I was twelve years old at the time. The purchase used all of my saved allowances. The title of the LP immediately caught my attention and I decided rather quickly that I need this album. I would later read that Dvořák, interested in the Native American music and African-American spirituals of America stated:
“I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition, to be developed in the United States. These beautiful and varied themes are the product of the soil. They are the folk songs of America and your composers must turn to them.”

And so, music continues to bring together diverse people, each with their own lyrics, melodies, harmonies and rhythms. And, while discordant laws seek to enforce diversity music, simply and beautifully, endorses and cherishes diversity sotto voce or forté.

http://www.chicagosinfonietta.org/

The True Myth of Friendship: Part Two

Continued from Part One…

Part Two: Billy the Kid, Bill the Buddy

1960. The move from the city brought our family thirty miles west of Chicago to a small suburban village. Our new subdivision housed Germans, Italians, Czechs, Mexicans and one family from the backwoods of Kentucky. The families on our street lived only on the northern half of the block. The southern half was paved but no homes had been built yet. Our ranch home was across the street from a German family and an Italian family. Billy’s house, across the street also, stood two houses north of the German family. It was during the first morning in our new location when I met Billy. But first, I caught sight of his dog Blackie.

On that bright summer morning I went out to our front yard to scope out the neighborhood. Our front yard, unfinished, lay before me as an uneven mass of sun baked dirt impressed with bulldozer tracks. As I was scouting the neighborhood I noticed that across the street someone opened a door of their cape cod. Immediately, a black dog bolted out between the woman’s legs, running as if it was escaping perdition. I watched the dog race down the driveway heading towards the open prairie at the end of our street.

Billy’s mom, standing on the stoop, called into the house yelling loudly, “Billy go out and catch your dog.” It took almost a minute for Billy to come stumbling out of their house. By now the dog was at the end of the block. Billy ran to the sidewalk and called down the street for Blackie. The dog, for whatever reason, was deaf to sound of him. I then saw Billy go down the street after the dog, just barely running. It appeared that physical exertion was something he did as a last straw measure.

I joined in the chase soon after when I saw Billy four houses down, bent over, huffing and puffing. This would be no problem. I had sprinter legs. I could out run any boy. I wanted Billy to know this so I chased after Blackie.

Once the dog was in tall grass, Blackie seemed to regain his perspective and turned back, having had his fill of doggie wanderlust. I walked up to Blackie, petted his beautiful black coat and slipped my hand under his dog collar. Billy then shuffled up and said, “Thanks.” I introduced myself. So did Billy. As we walked back to our houses, we talked about our new lives out in the middle of what we thought was nowhere. Billy’s family had moved to the neighborhood a year before.

Slightly plump, Billy instantly reminded me of Sluggo Smith from the Nancy comic strip. Billy would regularly wear blue jeans and a dirty white tee shirt that would never cover his belly button. Over time he stopped trying to pull his tee shirt down. And, over time I learned about his family.

Billy’s parents were German. His father was a security guard for an armored truck company. I would see him would come home and get out of his Cadillac wearing his Brink’s uniform, a gun at his side. When I was at Billy’s house, as I often was, I would see Billy’s dad come in the door and kiss his wife as she stood there waiting for him. She would then hand him a cold beer – a Schiltz. Taking the beer he would then go upstairs and change out of the uniform. After ten minutes or so Billy’s dad would come down stairs and go directly to his easy chair in their living room. This scenario was played out at 3:35 in the afternoon, five days a week. Billy’s mother, Millie, a housewife with two kids and an untamed dog, made sure that things went smoothly when Billy’s dad was home. But, between Billy and Dicky (Dicky was Billy’s brother) and Blackie dog, this was an impossible task. Billy’s mom had an easy going personality but the rest of the household each commanded a stream of consciousness narrative that would play out over and over again, turning the household mood into inevitable chaos.

I would soon learn that Billy’s father had an ugly disposition after a few beers. You certainly didn’t want to be around him any more than you had too. Avoiding him wasn’t hard, though. Most days after work, Billy’s dad was affixed in his easy chair, drinking his Schiltz, smoking his Camels and staring blankly at the TV. For supper, his wife would bring him food on a TV tray. The two of them would eat together in the living room. Then, after eating, Billy’s dad would often fall asleep in his chair. At ten o’clock the news came on. Then, after a few minutes of watching the news, he would finally go up to bed.

Whenever Billy and I wanted to play Pong and Billy’s dad was in his easy chair, us kids would walk quietly sneak up stairs to Billy’s room and close the door behind us. Billy and I kept our distance, safe in Billy’s world – his room.

Blackie dog didn’t know better. The dog often grabbed uneaten food from the TV tray while Billy’s dad slept. Aroused from sleep by the slobbering dog, the old man would let a string curses resound throughout the neighborhood. Hair would stand up and children would cower.

Billy’s room. Bill was the first techie I knew of. His room was decorated with ‘60s electronics: Eight track players, wall size woofers and tweeters, lava lamps, a commodore computer, an Atari game player, a color TV set and black lights.

Billy loved electronics: Radio Shack bags were all over his room as were subscription copies of Popular Mechanics and circuit diagrams. Under his bed were trays of resistors, rectifiers, Zener diodes, LEDs, capacitors, PC boards and a solder gun with solder. It was a mini low voltage electronics lab.

Billy would spend hours devising small electronic doodads: AM radios, beepers, BCD counting displays and countless other devices. He once devised an entrance alarm for their home’s doors. He wanted to know when his mother or father came home. I knew why.

It made sense, later, when Billy graduated from high school that he attended DeVry Institute of Technology. He would receive a Bachelors degree in Electronics Technology. One of his positions later in life: a QC manager in a prominent electronics firm. Billy was a hands-on techie with logical know-how. But, there was no science versus romantic conflict in him. He was also an ebullient romantic at heart. He nourished his romantic side with a constant stream of music.

Billy owned a large stack of LPs. And, as LPs were being replaced with eight track tapes Billy began another collection, but this time for his car. Billy bought music almost daily. A small sampling of his music would include the following: “Takin’ Care of Business” by Bachman Turner (BTO), “Saturday Night Fever” by the by Bee Gees, the whole Woodstock album, “Fanfare for the Common Man” by Emerson Lake and Palmer, The Carpenters album, “Last Train to Clarksville” by the Monkees, The White Album by the Beatles and Rolling Stones’ albums. Billy especially liked the Fifth Dimension song “Bill”. He played this one almost every day. I had to listen.

When Billy played his music, the earth moved. The reverb would fill every inch of his house. Billy’s mother would yell and Billy’s father would yell but Billy would just shut the door to his room and crank the volume even more. For Billy, music was the ‘potential’ he needed in order for his ‘circuits’ to function well.

As I mentioned, Billy was a hands-on kind of guy. He worked on his car and sometimes on his parent’s car. He changed the oil, the filters, the tires, the air freshener – he wanted to work on it all and he did. One summer he took the engine out of his car. For Billy taking the engine out wasn’t a big problem. Putting it back in and making it work was a whole other situation. It didn’t go well. The car was finally towed to a mechanic who was able to restore the engine to its working order. Billy learned a lot about cars from working on them and I watched or helped as I could. If Billy was a book the title would be Zen and The Art Of Do-It-Yourself Mechanics.

Billy and I were best friends. I played with the other kids on the block but I spent most of my time with Billy. Because we were close I invited Billy to our church.

I wanted Billy to know about Jesus. I soon found out that Billy’s dad wanted nothing to do with the church. I could tell that this mom was interested in the Lord but she stayed home with Billy’s father. Billy attended the weekly boys club. During one summer we both attended the Vacation Bible School. We had fun together making crafts with popsicle sticks, listening to Bible stories and drinking gallons of Kool-Aid.

It was during this VBS week that the pastor held a chapel service for all of the kids. He asked if anyone wanted to follow Jesus. Billy and I both raised our hands. After a prayer we both went up front to talk with somebody about our decision. We were then given new Bibles. And, on a Sunday night not long after this Billy and I were both baptized. We gave our testimonies and were then immersed in the Baptist tradition. Billy unabashedly gave his testimony while standing in the baptismal tank.

Speaking with a newly found smile, I could tell that Billy was thrilled to be a part of something, something bigger than him, something that he could bump up against and know that it would not yell back at him. He felt accepted and loved. His words that day became words of thanksgiving for being accepted by Jesus and by his church family. I will never forget the day my best friend Billy decided to follow Jesus.

Above the choir loft, next to the baptismal tank, a wooden sign hung with a single line of text: “The Lord is in His Holy temple. Let all the earth keep silent. Habakkuk 2:20”.  During the 1960s and 1970s, the earth was not about to keep silent, especially not for Billy and me.

**************

Part Two: Billy the Kid, Bill the Buddy, …continued here.

Spectator

I understand the youth.
They did not come before me.
They act, though, as if their self-assured sensory knowledge
Pre-dates Wisdom Itself. It doesn’t.

I understand the youth have causes:
The grass must be greener in their eco-system where
No man is an island and everything is socialized.
“Coexist.”
“Feed the hungry.”
“Help the downcast.”
“Smash the system, recycle the vision.”
The banners over these foot soldiers are “Revolution” and
“Change is Progress” and “Progress is Change”-
The currency of youth unfurled.

I understand the youth as I watch them march in earnest.
The future began long ago.

© Sally Paradise, 2011, All Rights Reserved

The Trajectory of Jared Lee Loughner

When I see this man,
His face a gun pointed,
Pointed at me,
I feel the point of impact:
Blood drains;
Ice cold fear is pumped to the exit wound.

When I see this man,
Bullet eyes formed into casings,
Finger twitching between good and evil,
Schizophrenic, delusional, chasm born,
I see him no longer seeing me.
Devoid of me, the other,
The visage of reality is destroyed at gunpoint.

© Sally Paradise, 2011, All Rights Reserved

A Song of Summer

“I want you to imagine we are sitting on the cliffs of heather and looking out over the sea. The sustained chords in the high strings suggest the clear sky and stillness and calm of the scene…You must remember that figure that comes in the violins when the music becomes more animated. I’m introducing it there to suggest the gentle rise and fall of the waves. The flutes suggest a seagull gliding by.” The blind Frederick Delius describing his composition A Song of Summer to Eric Fenby.

As a child I could do no better than to lay sprawled out on the front room floor submersing myself in A Song of Summer by Frederick Delius. His music enticed me in a way that no other could: the hauntingly beautiful Irmelin Prelude  and the enchanting Walk to the Paradise Garden

Illinois Exit Ramp Flooded with Fleeing Taxpayers

Dollar hungry Democrats are plotting to raise Illinois taxes by 75% from 3% to 5.25%  (the personal income tax rate). It’s time to leave the Land of Lincoln.

I’ve had enough of Illinois and Illinois Democrats (Quinn, Blago, Dick Durbin, the Madigans, Mayor Daley and God help us, Rahm Emanuel, if he takes over Chicago as Mayor). I’ve had enough. I’ve lived here in Illinois all my life. It’s time to go live somewhere else. Indiana wants me.

Ithaca, Ithaca, Ithaca

http://vimeo.com/17916422

w/thanks to the Legal Insurrection Blog for exposing those “dangerous” Tea Party people.

********
Getting to know you, getting to know all about liberals, progressives, Democrats

“I would never vote for a Democrat.” Sally Paradise”

Pocket Calendar

A Scorpio,
Born in the Year of the Dragon.
Ouch! I bit my tongue!

“Contentious!” Sure.
Such passion can leave no survivors.

And so, my endless eruptions
Cover the world –
Magma cum laude?

Beware! I am a Scorpio born in the The Year of the Dragon.

Pocket Calendar © Sally Paradise, 2010, All Rights Reserved