The Hound of Hell
November 9, 2025 Leave a comment
“The Mechanical Hound slept but did not sleep, lived but did not live in its gently humming, gently vibrating, softly illuminated kennel back in a dark corner of the firehouse.”
-Guy Montag, Fahrenheit 451
Anyone who has read Ray Bradbury’s Fahrenheit 451 will remember the menacing Mechanical Hound.
In fireman Guy Montag’s world, firemen burn outlawed books and where people hid them. The firehouse ‘dog’, a robotic beast, is an enforcer for the state. If you do not follow society’s rules, the Hound is unleashed. It tracks down and kills book readers using stored information about individuals. The Hound catches its prey and then injects it with lethal drugs.
Though configured as man’s best friend, Montag finds out the true nature of the beast. Being “fascinated as always with the dead beast, the living beast,” he touches the muzzle of the Hound. The Hound growls and Montag recoils.
“The Hound half rose in its kennel and looked at him with green-blue neon light flickering in its suddenly activated eye bulbs. It growled again, a strange rasping combination of electric sizzle, a frying sound, a scraping of metal, a turning of cogs that seemed rusty and ancient with suspicion.”
Not long afterward, Montag tells Captain Beatty “It doesn’t like me.” Captain Beatty tells Montag:
“Come off it. It doesn’t like or dislike. It just `functions.’ It’s like a lesson in ballistics. It has a trajectory we decide for it. It follows through. It targets itself, homes itself, and cuts off. It’s only copper wire, storage batteries, and electricity.”
The Mechanical Hound attacks what it is programmed to attack. And when Montag becomes more and more inquisitive about books and one is found in his possession, the Hound is released to track him down.
~~~
The techno-capitalist-industrialist-open borders system that goes by “Progress” or “Development” or “the Science” or “Fair-Trade” or “Commercialization” or “Globalization” or “Open Society,” is summed into a single descriptor – “the Machine” – by Paul Kingsnorth in his book Against the Machine (See side bar, previous post, and podcasts below for more information.)
In the chapter Come the Black Ships, Kingsnorth describes the process of Machine as being
“a war against all ‘closed’ things; against limits and boundaries of any kind, cultural and ecological; against historical traditions, local economies, trade unions, national economic plans, nations themselves, tribal cultures, religions . . . anything that interferes with the path of commercial expansion and its associated culture of individualist liberalism. Open is good, closed is bad. Why? Because closed things can’t be harvested, exploited or transformed in the image of the new world which the Machine is building. ‘Open’ things, on the other hand; well, they’re easy prey.”
That is our reality today. The West has colonialized itself with what it has colonized other nations – the Machine’s promise of the “open is good” gravy train. The WEF’s mission statement cloaks the Machine in good: “We bring together government, businesses and civil society to improve the state of the world” by “seiz[ing] opportunities for positive change.”
And so it is that the Machine’s process is advertised as that which benefits humanity in various ways. These include “Enhanced Customer Experience”, “Innovation”, “Diversity”, and “Advancements in Medicine, Education, Efficiency, Productivity, and “Sustainability” all while waging “a war against all ‘closed’ things” for the sake of its commercialization, monetization, and control of the process.
For the Machine to wage “war against all ‘closed’ things”, technology is employed to sniff out and snuff out the ‘closed’ – those people and their places unwilling to “be harvested, exploited or transformed in the image of the new world.” This machine I see depicted as Bradbury’s Mechanical Hound.
The Mechanical Hound represents the perversion of technology. Man’s best friend, a creature meant for companionship, aid, and protection, is turned into a technological tool of oppression. Its purpose is to impose order with terror.
With the Mechanical Hound in mind, consider digital technology which can be seen as friendly and helpful but can been programmed to avenge and punish citizens who break society’s rules. See China’s social credit system.
With the Mechanical Hound in mind, see the UK introducing digital ID cards. The UK government claims the system will simplify access to public services such as healthcare, welfare, and childcare, reduce identity fraud, ensure that only those with the right to work can be hired and is expected to minimize identity fraud by linking personal information to a secure digital format. With all these great “benefits” (for the state), what could go wrong? Say, if someone online says something that is considered “hate speech” by the UK government will the Hound be released to track that person down? That is happening today in the UK.
See a cashless society and Central Bank digital currency (CBDC) where purchases are monitored and financial accounts controlled by the government.
See the smartphone that “slept but did not sleep, lived but did not live in its gently humming, gently vibrating, softly illuminated kennel back in a dark corner of” your pocket.
Consider the digital contraptions in your home and car that, like the Hound, can track you with information gathered from 5G towers that is downloaded to data centers that consume massive amounts of energy and water and taxpayer money – to monitor your physical and societal whereabouts so it can sell you more of the Machine’s process.
In Montag’s repressed society, books, book holders, and critical thinkers are dealt with. For books hold the experience and wisdom of ‘closed’ things – history, tradition, culture and religion – and must be done away with. And, so must thinking critically. For researching and comprehending what the Machine is doing to humans and their world is a threat. (https://www.thefire.org/news/10-worst-censors-2024)
With this in mind, consider the calls for censorship on our college campuses. In Britain you can go to jail for saying the ‘wrong’ thing.
In Montag’s repressed society, wall screens and pills replace books. The wall screens produce for Montag’s wife, Mildred, her ‘family’. Their home has three wall screens. She wants a fourth wall screen. We learn how depressing life is for Mildred when she attempts to commit suicide with an overdose.
Consider that it is depressing to live in places run by Democrats: (Illinois state legislature passes assisted-suicide bill)
~~~
How did we get amenable to the Machine’s control over us and thus take on a mechanized way of seeing and relating to the world? Bradbury provides insight.
Fahrenheit 451 is about more than censorship. It is about conformity to state-imposed uniformity. Books in 451 were seen as creating discord. They had to go. For, with the advent of visual media, TV in particular, people no longer read and didn’t want to hear anything but what they heard on the screens. People wanted censorship and conformity to the screens.
As Captain Beatty tells Montag,
“’The fact is we didn’t get along well until photography came into its own. Then–motion pictures in the early twentieth century. Radio. Television. Things began to have mass.’
“Montag sat in bed, not moving.
“’And because they had mass, they became simpler,” said Beatty. “Once, books appealed to a few people, here, there, everywhere. They could afford to be different. The world was roomy. But then the world got full of eyes and elbows and mouths. Double, triple, quadruple population. Films and radios, magazines, books levelled down to a sort of paste pudding norm, do you follow me?’”
“’I think so.’”
“Beatty peered at the smoke pattern he had put out on the air. ‘Picture it. Nineteenth-century man with his horses, dogs, carts, slow motion. Then, in the twentieth century, speed up your camera. Books cut shorter. Condensations, Digests. Tabloids. Everything boils down to the gag, the snap ending.”
“’Snap ending.’ Mildred nodded.”
Captain Beatty, again:
“You must understand that our civilization is so vast that we can’t have our minorities upset and stirred. Ask yourself, What do we want in this country, above all? People want to be happy, isn’t that right? Haven’t you heard it all your life? I want to be happy, people say. Well, aren’t they? Don’t we keep them moving, don’t we give them fun? That’s all we live for, isn’t it? For pleasure, for titillation? And you must admit our culture provides plenty of these.”
“Yes.”
Beatty’s Full Speech to Montag is provided below.
~~~~~
This our reality: the Machine and the Mechanical Hound.
Paul Kingsnorth’s Against the Machine – On the Unmaking of Humanity has provided us a prophetic understanding of where we are and where we are headed. The Machine is moving us downstream, displacing us from what we value – in Kingsnorth’s words “the past, people, place, and prayer.”
Various entities participate and promote the Machine.
Mainstream media is run by the Machine. ABC, CBS, NBC, CNN, MSNBC, CNBC, WSJ, NYT, WaPo and other outlets are the Machine’s mouthpieces. They talk down the “closed” and proclaim the “open.”
Both political parties promote the Machine. It is “progress” (and control) after all. The biggest threat to democracy is the Machine that consumes culture and churns out cogs.
Now that Mamdani has won the NYC mayor’s race, you can be sure that the Mechanical Hound will be released in NYC to enforce socialist jihad. Neither socialism nor Jihad exists without a Mechanical Hound.
Central planners – The World Economic Forum (WEF), the World Health Organization (WHO), and the World Trade Organization – represent the Machine’s values.
It takes no stretch of the imagination to see ourselves in Montag’s society or to see technology as that which mimics the good but is easily programmed to avenge and punish citizens who break society’s rules. The Mechanical Hound can tract us down to dispose of the ‘closed’ and conform us to the “Open is good” of the Machine.
Bradbury said that with Fahrenheit 451 he wasn’t trying to predict the future but to prevent it. He wanted to protect the present.
The terror of the Hound of Hell is becoming a permanent feature of the “open” (closing up) brave new (upside down) world.
~~~~~
Read Fahrenheit 451: Beatty’s Speech to Montag
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Against the Machine: On the Unmaking of Humanity | Paul Kingsnorth
Demetri Kofinas speaks with Paul Kingsnorth, a novelist, essayist, and former environmental activist who first came on many people’s radars during the Covid-19 pandemic with the publication of his viral three-part series “The Vaccine Moment.” His current work explores the intersection of technology, culture, and the divine. In his latest book, Against the Machine, Kingsnorth examines how our increasingly mechanized way of seeing and relating to the world—and to ourselves—has contributed to the death of Western culture, and what it would take to reclaim our humanity and save our souls.
Against the Machine: On the Unmaking of Humanity | Paul Kingsnorth | Listen Notes
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How We Lost Ourselves to Technology—and How We Can Come Back
Do you feel uneasy? Do you feel a level of ambient anxiety? Do you feel despair, despite the fact that we live in the most luxurious time and place in human history?
The point is, you are not crazy. If you feel these things, you are simply attuned to reality—and it’s not a problem that’s solvable with less screen time or with meditation, red light, or sea moss.
Bari Weiss’ brilliant guest, Paul Kingsnorth, argues that the reason you feel this way is not this or that social media app or algorithm or culture war issue. That these are all superficial expressions of a thousand-year battle with what he calls “the Machine.” What exactly that means, he’ll explain tonight.
How We Lost Ourselves to Technology—and How We Can Come Back
~~~~~
From Doug Ross’ substack:
Top 20 Chilling Insights from Yuri Bezmenov
How the KGB’s Playbook Is Destroying the West Today
Yuri Aleksandrovich Bezmenov (1939–1993), also known as Tomas David Schuman, was a Soviet journalist and KGB operative specializing in propaganda and ideological subversion.
Ideological subversion is the process of bending a society’s perception of reality so completely that it destroys itself.
The goal is to demoralize a society by undermining its moral, educational, and cultural foundations, making people unable to recognize or defend against threats.
Demoralization takes 15-20 years, the time needed to educate one generation with subversive ideas.
Read Bezmenov’s 20 key insights
~~~~~
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From the Free Press:
Peter Thiel Says Capitalism Is Failing the Young. Is He Right?
Five years ago, Peter Thiel, the billionaire venture capitalist behind PayPal and Palantir, sent a prescient email to Facebook executives.
“When 70% of millennials say they are pro-socialist,” he wrote, “we need to do better than simply dismiss them by saying that they are stupid or entitled or brainwashed; we should try and understand why.”
The email went viral after democratic socialist Zohran Mamdani’s victory last week in the New York City mayoral race. Thiel then sat down with The Free Press’s Sean Fischer to explain what he saw in 2020 that no one else did.
Capitalism isn’t working for young people, Thiel said, citing burdensome student debt and regulations putting homeownership out of reach for many. “People assume everything still works, but objectively, it doesn’t. . . . If you proletarianize the young people, you shouldn’t be surprised if they eventually become communist.” (Emphasis mine.)
Thiel, who I see as also promoting the Machine, at least sees what the Machine is doing to the young.
And, of course, socialism/communism is a horrifying Machine that revels in terror to replace humanity with ideology.
~~~~~
The Machine’s AI Alchemy
Mary Shelly’s Victor Frankenstein, obsessed with creating a human being, used alchemy and electricity and body parts to create a creature (without woman). . .
A group of Stanford University scientists . . . used artificial intelligence to design new viruses capable of killing bacteria.
In a world where AI keeps creeping in on uniquely human territory by composing sonnets, writing songs or forging friendships, this seemed to be crossing a new Rubicon. Depending on your belief system, AI was doing what evolution, or God, or scientists working with genome-engineering tools aim to do.
“Machines are rethinking what it is to be human, what it is to be alive,” said Michael Hecht, a chemistry professor at Princeton University focused on designing novel proteins and artificial genomes. “I find this very unsettling and staggering. They are devising, coming up with novel life forms. Darwin 2.0.”
AI-designed viruses raise fears over creating life – The Washington Post

















































Left to Our Own Devices?
May 25, 2026 Leave a comment
“You will own nothing and you will be happy.”
This published World Economic Forum slogan, derived from a reposted blog essay by a Danish politician titled “Welcome to 2030. I own nothing, have no privacy, and life has never been better,” embodies a vision of doing away with the ownership of private property and autonomy in favor of a shared and planned economy overseen by the “providence” of WEF elites.
The proposed systems or platforms would provide technological access to needed resources, thereby providing gratification – so says the Dane. What is not said: in order to produce a hyper-egalitarian world, such comprehensive oversight of humans would require the beating down, leveling, debasing, and tyrannizing of the humans into thinking and accepting what is doled out in terms of what is valued per the elites.
The overlords of the modern bureaucratic state (presumptuously) use rational control to solve all problems with (smug) amoral certainty. Rational control?
R.J. Snell writing for Acton Institute regarding Harvey C. Mansfield’s recent book The Rise and Fall of Rational Control: The History of Modern Political Philosophy:
According to Mansfield, modernity is intrinsically linked to Machiavelli. . .
Rational control depended on ending irrational control, meaning custom, which includes social mores, institutions, and “God or the gods.” Rational control requires our liberation from the divine; humanity itself serves as a principle of order, asserting “human rights as against divine rights.” Moral custom can survive the taming of the gods, however, so morality must also be placed on a rational basis. For Machiavelli, princes must learn “how to be not good.” Ancient philosophers constructed utopian principles, but moderns take guidance from the “effectual truth” of action. The ruthless doing of “the necessary” establishes and preserves the city.
Who is Niccolo Machiavelli (1469 -1527)? See below.
The WEF’s Brave New World kind of slogan, with its enchantment of fulfillment via a Soma-like numbing- homogenizing process that divests the individual of all worldly (and otherworldly) concerns, I read as “rational control” ending “irrational control.” The ownership of inherited values and identity from the older cosmic order that included the transcendent Overworld is to be exchanged for the management of affairs by the realpolitik of “princes.” Their new modes and orders will displace what came before, replace the “ought” with the “is,” and effect the ruthless doing of “the necessary” via devices with avatars, apps and AI.
(Our world has many glory seeking manipulative “princes.” They rule their principalities in the WEF, the EU, and the UN. They rule in city, state, and federal government. They are the tech bros pushing AI and data centers down our throats.)
“You will own nothing and you will be happy”represents the presumed gratifying effects of rational control giving materialism and science unquestioned authority over our lives to produce “effectual truth” outcomes. Subjects of the slogan are to sell their souls to the “princes” of this world to make way for “man’s freedom … to answer his own needs with his own arms.”
Those enchanted by a managed existence absent of meaning and free will, such as the Danish politician, are apparently OK with a world that is increasingly disconnected from “the past, people, place, and prayer” and increasingly connected to “science, self, sex, and screens” (Paul Kingsnorth, Against the Machine).
Chuck Chalberg, writing for the Imaginative Conservative:
Kingsnorth might not have needed to define each of his S’s, but he does: Science gives us a “non-mythic” story of our origins; “the highest good is to serve the self”; sex is an “affirmation of individual identity”; and the screen is “both our main source of distraction from reality and the interface by which we are directed into the coming post-human reality of the machine.”
I view such world as cold and indifferent, in a calculating, utilitarian, mechanistic, ad-addled, app-addled, drug-addled, increasingly violent, and wretched way.
Those enchanted by a dystopian existence are apparently OK with living in a pathological environment, one that has “almost no qualities of a sane, wise, productive, creative environment that we would wish for ourselves” (Iain McGilchrist).
“You will own nothing and you will be happy” is scientific reductionism’s disenchantment of the world.
Henri Bortoft writes at The Nature Institute about the 18th to 19th century German polymath Johann Wolfgang von Goethe’s way of perceiving:
Goethe [sought a method that, in his words] “did not treat of nature as divided and in pieces, but presented her as working and alive, striving out of the whole into the parts.” The first thing we notice here is the reversal of perception: not from the part to the whole, but from the whole into the parts. Goethe was someone who could see the wholeness in nature directly, and, furthermore, had specific practices that could lead to the ability to do so.
C. S. Lewis, in English Literature in the Sixteenth Century (1954), wrote that no longer is the universe thought of as an orchestra “tingling with anthropomorphic life, dancing, ceremonial, a festival.” Now it is thought of in terms of a machine. In terms of language, Lewis’ understood that
“Pre-modern metaphors were animated; the cosmos seemed saturated with presence, soul, and being. In contrast, modern man prefers inorganic metaphors borrowed from the steady, unwavering movement of machines.” (Jason Baxter, “Evil Enchantment” versus Platonic Vision: Dante, Lewis, and the Weight of Glory) (The After Dinner Scholar podcast).
Many have witnessed and written about the ongoing deconstruction of our inherited perception of the cosmos.
Below, two poets, a professor of Medieval and Renaissance Literature, a modern playwright and a psychiatrist/neuroscientist account the withdrawing from the ages-old animating symphonic signal (objective values of truth, beauty, and goodness) toward modern machine noise (amoral realpolitik’s ruthless doing of “the necessary”):
“Its melancholy, long, withdrawing roar”
In 1867, Matthew Arnold wrote a poem about the decline of religious belief in mid-nineteenth-century Britain. Dover Beach speaks of a sea change during the Victorian era: the rising tide of scientific discovery and the withdrawing “sea of faith.” He saw Christian faith increasingly challenged by the influences of materialism and scientific discoveries.
Dover Beach portrays the effect with words describing loss and alienation from what had been so encompassing:
The Sea of Faith
Was once, too, at the full, and round earth’s shore
Lay like the folds of a bright girdle furled.
But now I only hear
Its melancholy, long, withdrawing roar,
Retreating, to the breath
Of the night-wind, down the vast edges drear
And naked shingles of the world.
“A heap of broken images”
T. S. Eliot’s 1922 poem The Waste Land, written in the wake of WWI, describes the barrenness and alienation of modern life. With a collage of cultural allusions, Eliot portrays modern society as shallow, the rich spiritual and cultural landscape of the past reduced to rubble. Society, he writes, is dealing with “A heap of broken images.”
What are the roots that clutch, what branches grow
Out of this stony rubbish? Son of man,
You cannot say, or guess, for you know only
A heap of broken images, where the sun beats,
And the dead tree gives no shelter, the cricket no relief,
And the dry stone no sound of water.
“a bad spell, an evil enchantment”
Jason M. Baxter, in his essay “Evil Enchantment” versus Platonic Vision: Dante, Lewis, and the Weight of Glory,” writes of professor C.S. Lewis’ take on the negation of goodness referencing a compilation of Lewis’ sermons tiled Transposition (1944) and his book The Abolition of Man (1943):
“The oxford don consistently used the metaphor of a bad spell, arguing that modernity had cast an “evil enchantment of worldliness” that makes the weight of goodness fell less substantial. In fact, Lewis argued that there was a kind of historical chasm or gaping cultural canyon that separated modernity from anything that came before: what he called the “Great Divide.” . . . This is, in part, because our image of the cosmos and our understanding of its operations are radically different from that of the pre-modern world. Our metaphors have changed: “The fundamental concept of modern science is, or was until very recently, that of natural ‘laws.’. . . In medieval science the fundamental concept was that of certain sympathies, antipathies, and strivings inherent in matter itself.” Modern man speaks about how a falling rock obeys a law of nature; medieval man spoke of the rock as desiring or longing to return to its natural place, like a pigeon returning to its nest by a homing instinct. Pre-modern metaphors were animated; the cosmos seemed saturated with presence, soul, and being. In contrast, modern man prefers inorganic metaphors borrowed from the steady, unwavering movement of machines. (My emphasis.)
. . .
“When the animate picture of the cosmos and the organic metaphors used to describe it passed away, two other changes followed. The first is that we began to imagine the sources of deep meaning were located within, not without. As Charles Taylor has put it, we “conceive of ourselves as having inner depths. We might even say that the depths which were previously located in the cosmos, the enchanted world, are now more readily placed within.” Lewis wrote about this displacement of meaning in his impassioned critique of modern education, The Abolition of Man.”
(You can read Baxter’s complete essay w/footnotes in my post “Self-Central Casting.” The article is brought to you for free and open access by Digital Commons @ George Fox University)
The Abolition of Man was published in 1943. Three lectures by C.S. Lewis form the book: Men Without Chests, The Way, and The Abolition of Man.
In identifying the pathologies of the age, Lewis warned about the consequences of doing away with ideas of objective value and natural law. Moral relativism, he claimed, would-result in the Abolition of Man and Men Without Chests. He defended the existence of a moral consensus among mankind that transcends cultures, polities, and historical epochs.
Lewis sought to reenchant the world with his fiction: The Space trilogy, Till We have Faces, The Chronicles of Narnia and other works.
In a 1946 essay “Talking about Bicycles” Lewis wrote about how understanding changes in terms of “four ages about nearly everything.” He gave them names: the unenchanted age, the enchanted age, the disenchanted age, and the reenchanted age.
We are in a disenchanted age.
Where do values come from?
British playwright and screenwriter Tom Stoppard (1937-2025) was known for plays that are both comedic and philosophical.
This is true of one of his most famous plays, the 1966 absurdist tragicomedy Rosencrantz and Guildenstern Are Dead. Two minor characters from Shakespeare’s Hamlet become main figures in a play ‘outside’ the narrative of Shakespeare’s Hamlet (which has a play within a play).
From the play’s synopsis at Stage Agent:
Part Shakespearean tragedy, part Laurel and Hardy comedy routine, part Waiting for Godot absurdity, Tom Stoppard’s masterful debut play calls fate, free will, art, reality, communication, and the very constructs of theatre into question, all the while leading two most honorable, adventurous, brilliant, and inept characters on their path to their unfortunate, unavoidable, infamous fate.
His 1972 play Jumpers “intertwines high-minded discussion with broad comic absurdity.” Stoppard “explores and satirizes the field of academic philosophy by likening it to a less-than-skillful competitive gymnastics display.” It is set in a university “where philosophy has become a battleground rather than a search for truth.” It is a bewildering world of pragmatists and relativists where logic has confounded belief in moral absolutes. The play raises questions of “What do we know?” and “Where do values come from?”
Stoppard’s 2015 play The Hard Problem again deals the ultimate source of objective goodness and value.
Lauren Halvorsen, at Studio Theater:
In constructing Hilary, Stoppard explains, “I wanted to write a character who is good—not goody-goody—and believes that goodness has an objective reality which is not captured by, explained by, or defined by evolutionary science, by evolutionary psychology, by evolutionary biology, by neo-Darwinism.” Hilary’s faith is ridiculed by her colleagues—but they can’t fully refute her stances. Stoppard investigates the interplay of faith and fact, irrationality with would-be rational behavior. How would neuroscientists definitively prove that every instinct is chemical, explicable, and geared for survival? And what happens to our beliefs when science can’t hold all the answers? Can some ideas only be understood through an unquantifiable intuition?
…
In a world driven by empirical data, Hilary is a controversial figure—she argues passionately in favor of free will, defends altruism as more than self-interest, and believes in God, much to the consternation of her materialist fellow scientist and occasional lover Spike. And it gradually emerges that Hilary’s stances are informed, in part, by personal reasons: at age 15, she had a baby and made an adoption plan, and now prays for her daughter as she wonders what became of her.
We are living in a pathological environment
Iain McGilchrist – psychiatrist, philosopher and neuroscientist:
“There is no question. We are living in a pathological environment. It has almost no qualities of a sane, wise, productive, creative environment that we would wish for ourselves. It has very few of those qualities that characteristically lead to those qualities. It maximizes conflict. It incubates extreme points of view. It robs us of embodied and embedded wisdom that comes from the culture and proximity to the natural world.
All these things that used to be taken for granted are now robbed of us and it’s no surprise that responses are massive existential anxiety, depression, suicidal thinking, a sense of hopelessness, complete loss of meaning. . . it is a complete tragedy because it doesn’t have to be like that. We need to break out of the prison we have made for ourselves.”
The above excerpt from the May 2026 video & podcast – Civilization’s Imbalance and Restoring the Humanities: The Divided Brain
https://www.unsiloedpodcast.com/episodes/iain-mcgilchrist
Iain McGilchrist discusses how the brain works, how left and right hemispheres attend to things – thereby making a difference on how we respond to the world.
Ultimate Meaning with objective standards for goodness and value is being explained away by neuroscience reductionist claims that meaning comes down to brain chemistry and atoms. If there is meaning, it is described in terms of an inexorable evolutionary process at work to pass on our genes in the best way possible. (See Is God the answer to our Meaning Crisis? Video below.)
Are we to view life through scientific reductionism’s microscope?
Are we to be viewed life through scientific reductionism’s microscope?
Should we be logical positivists and base all knowledge on perceptual experience and consider metaphysical and subjective arguments not based on observable data as meaningless?
Should we live accepting that there is nothing but matter and disregard intuition or revelation for “the science?”
Is life to be understood using only the science text book of humans (which scientism perverts for “effectual truth” outcomes) and not the gestalt of human consciousness as found in poetry (that provides meaning)?
Admittedly, there is a lot to ponder here.
As I have written before, I am an autodidact. I have no degree. I read and study that which interests and concerns me. Then, I put it down in words. The above is not some term paper to be graded. The above is what I have come to understand: what I was looking for since my earliest days, since The Day the Music Died.
It wasn’t until I reached my 70s that I understood the loss of connection to true mythos and the orchestra “tingling with anthropomorphic life, dancing, ceremonial, a festival.”
~~~
Who is Niccolo Machiavelli (1469 -1527)?
Here’s a brief Yale lecture (video, podcast & transcript) about the Florentine, the founder of the modern state, and his book, “The Prince”: Lecture 10 – New Modes and Orders: Machiavelli, The Prince (chaps. 1-12)
“Machiavelli announces his break, indeed his repudiation of all those who have come before, all those who have come before. He both replaces and yet reconfigures according to his own lights, elements from both the Christian empire and the Roman republic, to create a new form of political organization distinctly his own.” (This description of Machiavelli could be describing today’s Progressive politicians and many church organizations!)
(This being Memorial Day weekend, I doubt that the “princes” of this world will honor the fallen. They’ll be busy barbecuing and planning their next doing of “the necessary.”
~~~
The modern state increasingly treats culture not as an independent civilizational inheritance deserving protection but as raw material to be supervised, corrected, and ideologically aligned. The old pastoral ideal of the fulfilled and self-reliant individual citizen gradually gives way to the therapeutic subject: managed, supervised, controlled, yet perpetually assured of her freedom in “our democracy.”
A civilization survives only when there remain spheres of life politics cannot wholly absorb. Once politics becomes everything, civilization itself begins to disappear.
The Politicization Of Everything | ZeroHedge
Authored by David Solway via The Epoch Times,
Don’t become a Green grocer.
~~~
Elizabeth Oldfield & James Marriott: Is God the answer to our Meaning Crisis? | Uncommon Ground
Elizabeth Oldfield, host of the Sacred Podcast, and James Marriott, literary critic and Times columnist, join Justin on Uncommon Ground to discuss whether we can find meaning in life without God.
Elizabeth tells of her own search for meaning in Christian faith, while James explains why, as an atheist nihilist, he still loves art and literature. They discuss the search for purpose, and signs of a new interest in faith among young people.
Elizabeth Oldfield & James Marriott: Is God the answer to our Meaning Crisis? | Uncommon Ground
For Elizabeth Oldfield: https://www.elizabetholdfield.com/
For James Marriott: https://www.thetimes.com/comment/columnists/article/full-fat-faith-the-young-christian-converts-filling-our-churches-x69pd289k?
~~~
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Filed under 2026 Current Events, Culture, Philosophy, Political Commentary, social commentary, social engineering, Technocracy, technology Tagged with C.S. Lewis, Christianity, culture, Iain McGilchrist, literature, Machiavelli, Modernity, philosophy, Poetry, The Prince, WEF, worldview